Protective metal fitting tossed by flavoured leather patch (less)

Mark up or annotate documents to visualize your thoughts. Bamboo sets you apart.

Make it personal. Engaging Use Bamboo Dock to run applications made for your Bamboo: the Bamboo apps.

From games and sketching to composing music or sharing and connecting with friends, there is an ever-growing collection of Bamboo apps to choose from. Go for it.

Expressive Free yourself to draw whatever comes to your mind. Add your personal touch to photos and share them with friends.

Bring your ideas to life through your own creativity. Express yourself Specifications Advanced pen technology Pressure-sensitive pen tip Battery-free and ergonomic pen with two buttons Paper-like tablet overlay with 16:10 format Integrated pen rest Easy USB connection Bamboo Dock and apps Interactive tutorial to make the most of Bamboo One Size:Medium Interface:USB Color:Black Cable:1.

5m System Requirements:Windows 7, Vista or XP (incl. 64-bit editions),Mac OS X 10.

4+, Intel or PowerPC processor.Note: Also requires a USB port, colour display and DVD-ROM drive.

Internet connection is required for Software download (less)

Plays DivX, MP3, WMA and JPEG digital camera photos Play virtually any media format you want - whether they be DivX, MP3s, WMA or JPEGs. Experience the unbeatable convenience of great playability, and the luxury of sharing media files on your TV or home theater system - in the comfort of your living room.

Progressive Scan component video for optimized image quality Progressive Scan doubles the vertical resolution of the image resulting in a noticeably sharper picture. Instead of sending a field comprising the odd lines to the screen first, followed by the field with the even lines, both fields are written at one time.

A full image is created instantaneously, using the maximum resolution. At such a speed, your eye perceives a sharper picture with no line structure 12-bit/108MHz video processing for sharp and natural images 12-bit Video DAC is a superior Digital-to-Analogue-Converter that preserves every detail of the authentic picture quality.

It shows subtle shades and smoother graduation of colors, resulting in a more vibrant and natural picture. The limitation of the usual 10bit DAC become in particular apparent while using large screens and projectors DivX Certified for standard playback of DivX videos With DivX support, you are able to enjoy DivX encoded videos in the comfort of your living room.

The DivX media format is an MPEG4-based video compression technology that enables you to save large files like movies, trailers and music videos on media like CD-R/RW, and DVD recordable discs One-touch MP3 creation directly from CDs onto USB sticks Convert the contents of your favorite CDs to MP3 files on your Philips product, and store it directly on a thumbdrive or on your portable media player through a USB cable. Enjoy the convenience of creating MP3 files right in your living room, without a PC, and even while the CD is playing Hi-Speed USB 2.

0 Link plays video/music from USB flash drive The Universal Serial Bus or USB is a protocol standard that is conveniently used to link PCs, peripherals and consumer electronic equuipment. Hi-Speed USB devices have a data transfer rate of up to 480 Mbps - up from the 12 Mbps in original USB ones.

With Hi-Speed USB 2.0 Link, all you have to do is plug in your USB device, select the movie, music or photo and play away.

Media Copy transfers photos & music to USB flash drives Share your photos and music with family and friends in your living room – and elsewhere. Simply copy the files onto your USB thumb drive and carry your favorites with you wherever you go.

Screen Fit for optimal viewing every time Whatever you’re watching, and on any TV, Screen Fit ensures that the picture fills the whole screen. Annoying black bars on the top and bottom are eliminated, without any tedious manual adjustments to make.

Simply press the Screen Fit button, choose the format and enjoy your movie in full-screen FM tuning for station presets FM radio offers you additional music options to your music collection on your Philips player. Simply tune into the station that you want to preset, press and hold the preset button to memorize the frequency.

With preset radio stations that can be stored, you can quickly access your favorite radio station without having to manually tune the frequencies each time. Specification: Picture/Display D/A converter:12 bit, 108 MHz Picture enhancement:Progressive scan, Video upsampling Sound D/A converter:24 bit, 192 kHz Frequency response:30-20000 Hz Signal to noise ratio:> 90 Distortion and Noise (1kHz):> 65 dB Crosstalk (1kHz):> 70 dB Dynamic Range (1kHz):> 80 dB Sound System:Dolby Digital Video Playback Playback Media:CD, CD-R/CD-RW, Video CD/SVCD, DVD, DivX, DVD+R/+RW, DVD-R/-RW, DVD-Video Compression formats:MPEG1, MPEG2, DivX 3.

11, DivX 4.x, DivX 5.

x, DivX 6.0 Video disc playback system:PAL, NTSC Audio Playback Playback Media:CD, MP3-CD, MP3-DVD, WMA-CD, CD-R/RW, Audio CD Compression format:MP3, Dolby Digital, PCM, WMA MP3 bit rates:32 - 320 kbps Still Picture Playback Playback Media:DVD+R/+RW, DVD-R/-RW, CD-R/RW, Picture CD, Kodak Picture CD Picture Compression Format:JPEG Picture Enhancement:Flip photos, Rotate, Zoom, Slideshow, Slideshow with MP3 playback Multimedia Applications Multimedia connections:USB memory class device Playback Formats:DivX, JPEG Still pictures, MP3 Connectivity Rear Connections:Digital coaxial out, Composite video (CVBS) output, ComponentVideo out Progressive, Analog audio Multi-channel out Front / Side connections:USB Convenience Child Protection:Child Lock, Parental Control On-Screen Display languages:English, Hindi Power Power supply:110-240V, 50/60 Hz Power consumption:< 10 W Standby power consumption:< 1W Accessories Included accessories:Audio/Video cable, 2 x AAA Batteries, Remote Control, World Wide Warranty leaflet, User Manual Dimensions Set Width:360 mm Set Height:37 mm Set Depth:210 mm Packaging Width:415 mm Packaging Height:82 mm Packaging Depth:282 mm (less)

0-inch, 230,000-dot high-resolution LCD. When recording, you can operate the auto focus and shutter release at the same time with just a touch.

When playing back, you can drag the image across the screen with a finger to browse a collection of photos as you flip over the pages of the book. 4x Optical Zoom LEICA DC Lens from 28mm Wide-angle The DMC-FH7(FS22) features a 4x optical zoom high quality LEICA DC VARIO-ELMAR lens from 28mm wide-angle* into a slim, compact body (35mm camera equivalent: 28-112mm).

The 28mm wide-angle lens* lets you easily capture large groups of people indoors or expansive architectural structures and scenes with dynamic width and rich perspective, even from short distances. * Converted to standard 35mm camera equivalent, at the wide-end.

High Performace Venus Engine The high-speed, high-performance Venus Engine for the DMC-FH7(FS22) enables the recording of beautiful images with higher quality signal processing. Beautiful images with minimal noise can be reproduced all the way up to ISO1600 high sensitivity at full resolution for beautiful night shots or dimly lit indoor shots.

Sonic Speed AF The Sonic Speed AF in the DMC-FH7(FS22) features dramatically speedier focusing that is approx. 45% faster than our previous model.

* You can quickly focus on moving subjects, such as when you&re shooting sports scenes. * Compared with the previous DMC-FH3(FS11).

The zoom is in the wide setting range. This refers to the time from pressing the shutter button until exposure begins.

Using a Panasonic measurement method. 3.

0-inch Smart Touch-screen Featuring Speedy Touch AF Operation 4x Optical Zoom LEICA DC Lens from 28mm Wide-angle 16.1-megapixel High-resolution CCD High Performace Venus Engine iA (Intelligent Auto) Mode 720p HD Movie Recording Beauty Retouch Mode LUMIX Image Uploader Specification Metrics Dimensions (W x H x D) 95.

2 x 56.3 x 19.

4 mm (3.75 x 2.

22 x 0.76 inch) Weight 109 g (0.

24 lb) without Battery and SD Memory Card 126 g (0.28 lb) with Battery and SD Memory Card Optics Camera Effective Pixels 16.

1 Megapixels Sensor Size / Total Pixels / Filter 1/2.33-inch CCD sensor / 16.

6 Total Megapixels / Primary Color Filter Aperture F3.1 - 6.

5 / Multistage Iris Diagram (F3.1 – 9.

0 (W) / F6.5 - 20 (T)) Optical Zoom 4x Focal Length f = 5 - 20 mm (28 - 112 mm in 35 mm equiv.

) Extra Optical Zoom (EZ) 5.1x (4:3 / 10M), 7.

2x (4:3 / 5M), 9.0x (4:3 / under 3M) Intelligent Zoom 5x Lens LEICA DC VARIO-ELMAR 6 elements in 5 groups (3 Aspherical Lenses / 5 Aspherical Surfaces) Optical Image Stabilizer MEGA O.

I.S.

(Off / On) Digital Zoom 4x Focusing Area Normal: Wide 50 cm (1.64 feet) - infinity / Tele 100 cm (3.

27 feet) - infinity Macro / Intelligent Auto / Motion Picture: Wide 5 cm (0.16 feet) - infinity / Tele 100 cm (3.

27 feet) - infinity AF Assist Lamp Yes Focus Normal / Macro, Macro Zoom, Quick AF (Always On), AF Tracking, Touch AF/AE AF Metering Face / AF Tracking / 11-area / 1-area / Touch Area Shutter Speed Still: Approx. 8 - 1/1,600 sec Starry Sky Mode: 15, 30, 60 sec Recording File Format Still Image: JPEG (DCF / Exif 2.

3) Motion Picture: QuickTime Motion JPEG Rec Mode (Mode Button) Intelligent Auto, Normal Picture, Cosmetic, My Scene Mode, Scene Mode, Motion Picture Still Image Scene Mode Portrait, Transform, Self Portrait, Scenery, Panorama Assist, Sports, Night Portrait, Night Scenery, Food, Party, Candle Light, Baby1, Baby2, Pet, Sunset, High Sensitivity, High-speed Burst, Flash Burst, Starry Sky, Fireworks, Beach, Snow, Aerial Photo, Pin Hole, Film Grain, High Dynamic (Standard, Art, B&W), Photo Frame Continuous Shooting Mode 1.3 frames / sec High-speed Burst Mode: Approx.

4.4 frames / sec (recorded in 3M for 4:3, 2.

5M for 3:2, 2M for 16:9, 2.5M for 1:1) Motion Picture Recording 4:3 VGA: 640 x 480 pixels, 30 fps (Motion JPEG), QVGA: 320 x 240 pixels, 30 fps (Motion JPEG) HD Movie(16:9) 1,280 x 720 pixels, 24 fps (Motion JPEG) Exposure Program AE Exposure Compensation 1/3 EV step, -2 - +2 EV Light Metering Intelligent Multiple ISO Sensitivity I.

ISO / 100 / 200 / 400 / 800 / 1600 High Sensitivity (1600 - 6400) Still Picture Recording 4:3 4,608 x 3,456 pixels (16M), 3,648 x 2,736 pixels (10M EZ), 2,560 x 1,920 pixels (5M EZ), 2,048 x 1,536 pixels (3M EZ), 640 x 480 pixels (0.3M EZ) 3:2 4,608 x 3,072 pixels (14M) 16:9 4,608 x 2,592 pixels (12M) 1:1 3,456 x 3,456 pixels (12M) White Balance Auto / Daylight / Cloudy / Shade / Incandescent / White Set Color Mode Standard, Natural, Vivid, Black & White, Sepia, Cool, Warm, Happy (only in iA Mode) Digital Red-Eye Correction (Red-Eye Removal) Yes Self Timer 2sec / 10sec Playback Playback Mode Normal Playback, Slideshow, Filtering Playback (Category Playback, Favorites), Calendar Playback Thumbnails / Zoomed Playback 12, 30 thumbnails / Yes / Touch Magnification Calendar Display Yes Set Favorites Yes DPOF Print Setting / Set Protection Yes/Yes Resize / Cropping Yes/Yes Copy / Image Stamp Yes/Yes PictBridge Support Single / Multi / All / Favorites / DPOF Setup OSD language English, Traditional Chinese, Thai, Arabic, Persian Others LCD Monitor 7.

5 cm (3.0") TFT Touch Screen LCD Display (230,000 dots) Field of View: Approx.

100%, Wide-viewing Angle Auto Power LCD Mode, Power LCD Mode Touch Panel Yes Built-in-Flash Auto, Auto / Red-eye Reduction, Slow Sync. / Red-eye Reduction, Forced On, Forced Off 0.

4 - 3.3 m (Wide / I.

ISO), 1.0 - 1.

6 m (Tele / I.ISO) Recording Media Built-in Memory, SD Memory Card, SDHC Memory Card, SDXC Memory Card Built-in-Memory Approx.

84 MB Microphone / Speaker Mono / Yes Interface AV Output (NTSC / PAL), USB2.0 High-Speed Power Li-ion Battery Pack (3.

6V, Minimum: 660 mAh) (Included) Battery Life (approx.) (CIPA**) 240 pictures (CIPA Standard) Included Software PHOTOfunSTUDIO 6.

0, QuickTime, Adobe Reader, Super LoiLoScope (trial version) Standard Accessories Battery Charger, Battery Pack, Stylus Pen, AV Cable, USB Cable, Hand Strap, CD-ROM (less)

0-inch flip-out widescreen LCD monitor, expanding photographic flexibility. Carrying the six most popular Art Filters plus variations and Art Effect functions, the E-PL3 combines the functionality and image quality of the E-P3 with enhanced ease of use.

PEN QUALITY Ultrafast AF based on the latest technology The perfect shot disappears as fast as it appears, sometimes vanishing even before you have a chance to see it or appreciate it. If only you could capture the moments moving through your mind, preserving them in images that you can look back on again and again.

Will of shooting comes in an instant and vanishes in an instant. The PEN's ultrafast AF will make the ideal real.

The E-PL3 incorporates the same advanced technologies used to implement ultrafast AF speed in the E-P3, including the Fast AF System, new 12.3-megapixel High Speed Live MOS Sensor and TruePic VI image processing engine.

You'll be astonished by the images it will capture for you. 5.

5 fps high-speed sequential shooting The E-PL3 also boasts high-performance sequential shooting capability. It incorporates a newly developed compact high-speed shutter mechanism*1 specially designed to deliver high performance in a compact body.

This has resulted in an improved sequential shooting rate of 5.5 frames per second*2.

Versatile AF functions increase your photographic comfort zone The 35-area AF has 35 focus selection areas, compared to 11 points on previous models, enabling detailed, pinpoint AF across a wider area than before. Other functions for improving AF versatility include the “group area AF”, which selects an area composed of 3 x 3 points from the 35 points to capture a fast-moving subject accurately, as well as the “fulltime AF function”, which keeps the Live View image focused even when the release button is not pressed, enabling quick tracking of a moving subject.

New 12.3-megapixel Live MOS Sensor The E-PL3 incorporates a new 12.

3-megapixel High Speed Live MOS sensor that is a high-sensitivity, high-speed version of the traditional Live MOS sensor. The sensor is also compatible 1920 x 1080/59.

94i full HD-format movie recording. The use of the line addition method for readout of lines in movies and Live View images improves image reproduction.

Maximum sensitivity has also been boosted to as high as ISO12800, which can improve shooting under low light, indoors or using a faster shutter speed. New image processing engine supporting high image quality and fast response The E-PL3 incorporates the new TruePic VI image processing engine to improve image quality and quicken response.

In addition to using the same Fine Detail processing that provided the E-5 with such high resolution, the E-PL3 incorporates Real Color Technology to improve the reproduction and gradation expressions of specific colors, so that they appear more natural and closer to the way the actually look to the human eye. Dedicated image processing cores are used separately for the recorded image and Live View image to improve the response in sequential shooting.

OPERATION Flip-out wide screen 3.0-inch LCD Monitor for more freedom when shooting The E-PL3 is the first PEN model to incorporate a flip-out LCD monitor in a compact body.

With a tilting mechanism capable of varying the orientation by 80 degrees upward or 45 degrees downward, this LCD gives you the freedom to take advantage of a much wider range of shooting, from the high angles useful in crowded environments such as a sports event or rock concert to the low angles helpful when taking pictures of children or pets. With its wide 3.

0-inch screen, this high-definition LCD monitor will be really appreciated by anyone who enjoys active photography. Live Guide for easy control of SLR-style effects The Live Guide interface helps you achieve sophisticated photographic and artistic effects from the moment you hold the camera in your hand.

Techniques possible only with SLRs, such as background defocusing, brightness variation and color tone variation can be controlled intuitively by selecting icons and turning the control dial, while following the Live Guide's instructions. With the E-PL3, the Live Guide can be activated from any of the P/A/S/M modes by simply pressing the Fn button.

Good-looking, sophisticated user interface The E-PL3's user interface has been completely redesigned. The font and graphics used in the menus have been enhanced to offer improved visibility and quality.

With the newly provided Menu Guide, when a menu item is selected, the camera enters the explanation display mode, popping up an explanation of each menu item whenever it is changed. This display is a big help for the user because the user can find out what each function is used for and how it is used without the instruction manual.

The Menu Guide can be switched ON/OFF with the INFO button. FL-LM1 High-Capability Removable Flash A removable flash (GN10 (ISO200)) that can be attached only when needed is provided in the product package.

ART FILTER Six Art Filters Designed for those who are not satisfied with simply capturing reality, but who also want to enjoy artistic expressions with their cameras, The Art Filters has made another progress. The E-PL3 incorporates the six Art Filters available for the present.

In addition, "Art Effects" including the Starlight and White Edge effects are provided to expand the range of expressions. Intuitive combination of the effect with an Art Filter will help you finish your pictures into a work of art.

POP ART (I/II) This filter enhances colors impressively to turn a scene in daily life into a pop, or kitschy world. It even reproduces the atmosphere of the subject brightly and joyfully to finish the picture in a pop art style.

SOFT FOCUS This filter expresses an ethereal atmosphere with a soft tone. While retaining the core details of the subject, it produces a beautiful image with fantasy-like style as if the subject is surrounded by the light of happiness.

GRAINY FILM (I / II) Evoking the rawness and stark power of traditional black and white with rough grains and high contrast, this filter creates a dramatic atmosphere, enhancing the feeling of presence and emphasizing the theme of the picture. PIN HOLE (I / II / III) This filter offers a photographic expression like that obtained from a toy camera by reducing the peripheral brightness using a tunnel effect and reproducing the image in unique color tone.

The result is a mysterious, secretive atmosphere as if you are lost in a different dimension. DIORAMA This filter turns the real world in front of the camera into a world of toys.

A rapid variation in the focus confuses the feeling of distance to create a surreal miniature world. DRAMATIC TONE This filter provides a daily landscape with a dramatic impression.

It applies local changes in contrast to the image to represent the real space in a fictitious style by creating unrealistic tones of light and darkness. Art Effects This function adds various composition effects to Art Filters and has been expanded to five effects with the addition of the Starlight effect and White Edge effect.

These effects provide everyone with the opportunity to utilize exciting new creative expressions in both still images and movies. Art Filter Bracketing This function generates multiple pictures with different Art Filters with a single shot, making it possible to experiment with several different photographic effects at the same time and explore new variations that you may not have though of before.

In addition to the Art Filters, this function can also be used to select multiple picture modes including Vivid, Natural, Muted and Portrait. Various function Full HD movie To make the most of its SLR image quality when recording movies, the E-PL3 can record full HD movies in the super-high-quality AVCHD.

For easy and convenient playback and editing on a computer or web uploading, the E-PL3 can also record HD movies in the AVI Motion JPEG format. Further assurance of quality is provided by the multimotion-compatible movie IS system, which stabilizes the slow shake produced when shooting while walking.

You' ll also be able to take full advantage of the E-PL3's collection of Art Filters to express your creative vision. High-quality stereo audio can be recorded in either the Dolby Digital format (AVCHD recording) or the linear PCM format (AVI Motion JPEG recording).

Movies can be viewed on your TV and controlled by your TV's remote by connecting a commercially available HDMI mini-cable. * Image stabilization in the movie mode is electronic so slightly enlarged images are recorded.

* IS may not be effective if the camera is shaken excessively. * When an Art Filter is used, the frame rate, the recorded audio and the availability of Art Effects vary according to the movie format and the Art Filter in use.

The frame rate is 2 fps with the AVCHD format. * Only a TV compliant with the HDMI-CES standard can be used.

Some operations may be limited with certain TV. * It is recommended to use a card compatible with SD Speed Class 6 or higher for recording movies.

* Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. * “AVCHD” and the “AVCHD” logo are trademarks of Panasonic Corporation and Sony Corporation.

Built-in image stabilization Though small, the image stabilization mechanism built into the camera offers remarkably high performance. And, because the IS mechanism is incorporated in the camera, it works with any lens you mount on the camera.

Operating automatically as required, this high-precision IS mechanism lets you shoot with confidence even under low light or when using a telephoto lens. Accessory Port 2 The E-PL3 may be small, but it is designed to serve as the core of a powerful photographic system.

An accessory port on the back of the camera lets you connect a variety of accessories including an electronic viewfinder, external stereo microphones and a macro arm light, as well as the OLYMPUS PENPAL PP-1 - a communication unit that makes it easy to transfer images to a smartphone. Face and Eye detection AF/Tracking AF Sophisticated and accurate, the face and eye detection AF function lets you prioritize nearer eye, left-side eye or right-side eye to capture sharp, detailed expressions in portrait shooting.

When not required, you can switch it off. For accurate autofocusing of moving subjects, the tracking AF function employs an advanced new detection algorithm that uses the chroma data and face detection data, as well as the luminance signal to improve the accuracy of tracking.

In addition, an AF illuminator is provided to support autofocusing in low light. e-Portrait The e-Portrait scene mode enhances the appearance of your subject by making the skin appear brighter and smoother.

When this mode is set before shooting, the camera automatically saves the image both with and without correction*. It is also possible to apply the same effect in the post-shooting edit mode so that you can take the best shot and make it even better.

* The corrected image is saved only in 2560 x 1920 pixels. * This function may be ineffective with certain subjects.

i-ENHANCE The iAUTO function that automatically selects the optimum mode when the camera is pointed at the subject now includes the "i-ENHANCE" picture mode, which is capable of evoking a "being-there" feeling with vivid colors. The i-ENHANCE mode is set automatically when the iAUTO function is selected, and the camera determines the optimum color and contrast conditions so that the subject is imaged prominently.

Multi-Aspect You can select different aspect ratios for your pictures to suit different requirements or creative goals. Five aspect ratios are available including the standard 4:3, 16:9 for impressive, cinematic-style images, 6:6, which has a square screen like a medium-format camera, 3:2, which is identical to 35 mm film cameras, and 3:4, which makes it possible to capture a vertical composition image without rotating the camera.

Using unusual aspect ratios will lead you to encounters with fresh expressions. 3D Photo Shooting A 3D Photo function has been added to the scene modes.

After you take the first shot in this mode, you simply position the camera following the guide and take the second shot. The images are combined and recorded as a 3D file (MPO format).

The recorded 3D image can be played on a 3D-compatible PC or TV. You can also apply Art Filters* to your 3D pictures to create truly original and impressive images.

* The Starlight effect cannot be applied. * 3D pictures can be viewed on a 3D-compatible PC or TV by playing them back on the camera via an HDMI connection or USB connection, or by playing them back on an SD card.

One-push digital teleconverter The one-push digital teleconverter function can be allocated to the Fn button so you can shoot a 2X telephoto image at the push of the button. Image interpolation performed by the TruePic VI image processor magnifies the captured image by 2X with digital processing while maintaining the number of pixels.

When you use it in combination with the M.ZUIKO DIGITAL ED 40-150mm f4.

0-5.6R lens, you' ll be able to capture amazing super telephoto pictures with a focal length of 600mm (35mm camera equivalent).

Multi-Exposure This function makes it easy to experiment and create your own amazing images by superimposing two images while checking the final result on the Live View display. An image previously saved as RAW data is used as the basis and displayed semi-transparently on the Live View, while a new image is captured and superimposed.

Each multi-exposure can superimpose two frames at a time so repeating the exposures makes it possible to superimpose as many frames as desired. New slideshow effects The GPU with 3D graphic display capability also makes it possible to enjoy two types of slideshow.

Dazzle your friends and family with an entertaining image display synced with original background music composed by Daishi Dance. It's a great way to relive the fun times you had while shooting, and a great way to share those special times with others.

* The slideshows can be selected when the camera is connected to an HD-compatible TV set through an HDMI mini-cable (commercially available). Specification Product Type Product type Micro Four Thirds interchangeable lens system camera Memory SD Memory Card(SDHC, SDXC, UHS-I compatible), Eye-Fi * Class 6 is recommended for Movie shooting Screen size 17.

3 x 13.0 mm Lens mount Micro Four Thirds Mount Image Pickup Unit Product type High speed Live MOS Sensor Number of pixels Number of effective pixels : Approx.

12.3 million pixels Total number of pixels : Approx.

13.1 million pixels Aspect ratio 1.

33 (4:3) Dust reduction Supersonic Wave Filter (dust reduction system for image sensor) Recording(Still) Recording format DCF, DPOF compatible/Exif, PRINT Image Matching III File format RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO (3D still) Recording image size [RAW] 4032 x 3024 pixels [JPEG] 4032 x 3024 pixels - 640 x 480 pixels Image Stabilization System Type Built in (Imager shift image stabilizer) Mode 3 modes (IS1:2 dimensional activation, IS2:1 dimensional activation in landscape frame to vertical direction moving, IS3:1dimensional activation in portrait frame to vertical direction moving ), OFF IS for finder image - Focal length setting Available Live View Type Image Sensor(High Speed Live MOS) type Field of view Approx.100% Display Mode Normal Mode, Grid Line Mode(4 types), Histogram Mode, Magnified View Mode, Comparable View Mode, OFF Mode Magnification Ratio x5, x7, x10 (Default), x14 Monitor information Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery Check, Myset, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation mark, Exposure Compensation Value, Spot metering Area, Flash Mode, Flash Status, Flash intensity Control, Super FP, Focusing length, Tone control, Eye-Fi condition Display of Face Detection Max 8 frames of face detection can be displayed Monitor Monitor type LCD, AR(Anti-Reflection) coating, Tilt function Size 3.

0 inches 16:9 Total no. of pixels Approx.

460,000 dots Brightness control / Color balance 7 levels / - Color temperature 7 levels Color tone select - Focusing AF system Imager Contrast Detection AF system *When non High-speed imager AF compatible lens is used, it works as AF assist. Focus mode Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) * C-AF and AF tracking are not available with non-mFTS lenses.

* This is can be set in both recording mode, still and movie, separately. Full-time AF Available Magnified frame AF Available Face detection AF / Eye detection AF Available (Eye Detect AF : OFF / Near side eye priority mode / Right side eye priority mode / Left side eye priority mode) Focusing point 35-area multiple AF with the contrast detection system (Auto, selectable in option) Focusing point selection Auto from all 35 area, Single area from 35 area, Group Target area (9 area) from 35 area / Auto from almost all area when Face detection is ON / Free selection when Magnified View Mode is selected AF illuminator Available Manual Focus Assist * Customize function When rotation of focus ring is detected under S-AF+MF or MF mode, LV is magnified automatically Exposure Control (Still) Metering system (TTL Image sensor metering) TTL Image Sensor metering system (1) Digital ESP metering (324-area multi pattern metering) (2) Center weighted average metering (3) Spot metering (approx.

1% for the viewfinder screen. Highlight / shadow bases are available) Metering range EV 0 - 20 (Digital ESP metering, Centre weighted average metering, Spot metering) (At normal temperature, 17mm f2.

8, ISO 100) Exposure mode (1)iAuto (2)P: Programme AE (Programme shift can be performed) (3)A: Aperture priority AE (4)S: Shutter priority AE (5)M: Manual (6)Scene select AE (7)Art Filter (8)Underwater wide / Underwater macro (Selectable from menu as a function on Rec/Fn button) Scene select AE Portrait, e-Portrait, Landscape, Landscape + Portrait, Macro, Sport, Night Scene, Night + Portrait, Children, High Key, Low Key, DIS mode, Nature Macro, Candle, Sunset, Document, Panorama, Fireworks, Beach & Snow, Fisheye Conv, Wide Conv, Macro Conv, 3D ISO sensitivity AUTO : ISO 200 - 12800(customizable, Default 200-1600) / Manual : ISO 200 - 12800, 1/3 or 1 EV steps, Exposure compensation 3 EV in 1/3, 1/2, 1 EV steps selectable AE lock Available (Using Rec/Fn button is available) Shutter Product type Computerized focal-plane shutter Shutter speed 60 - 1/4000 sec. Bulb: up to 30 min.

(selectable longest time in the menu. Default: 8 min) 1/3, 1/2, or 1EV steps selectable.

Flash Built-in flash No. Special external flash is bundled.

Bundled flash FL-LM1 G.No GN=10(ISO200•m) / GN=7(ISO100•m) but ISO100 is not available Flash mode Auto, Red-eye reduction, Red-eye reduction slow sync.

, Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in, Off. *Flash mode of External Flash Synchronization speed 1/60-1/160 (Super FP 1/125-1/4000 with External Flash) Flash intensity control Up to 3 EV in 0.

3, 0.5, 1 EV steps Compatible external flash FL-50R, FL-36R, FL-50, FL-36, FL-20, FL-14, FL-300R, FL-600R Drive Drive mode Single-frame shooting, Sequential shooting, Self-timer Sequential shooting speed 4.

1 fps in sequential shooting (5.5 fps in case of "I.

S. OFF".

) Max. recordable pictures on sequential shooting [RAW mode] Max.

9frames. (with Toshiba SDHC UHS-I card R95 W80 model Premiugate series "Class 10" 8GB) [JPEG(LN) mode] Max.

15frames in case of "Sequential H" & "I.S.

is ON" (with Toshiba SDHC UHS-I card R95 W80 model Premiugate series "Class 10" 8GB) * Depending on shooting conditions, the sequential shooting speed may reduce speed during shooting. Self-timer Operation time: 12 sec.

, 2 sec. (cancel available) Bracketing Exposure bracketing 2, 3, 5frames in 0.

3, 0.5, 0.

7, 1EV steps selectable, 7frames in 0.3, 0.

5, 0.7EV steps selectable ISO bracketing - White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.

Flash bracketing - Art Filter bracketing Available Art Filter Mode Pop Art(I/II), Soft Focus, Grainy Film(I/II), Pin Hole(I/II/III), Diorama, Dramatic Tone Variation / Effect Available Recording(Movie) Recording format AVCHD / AVI Motion JPEG Movie Mode [AVCHD] FullHD Fine : 1920(H)x1080(V), 60i Recording, 20Mbps, Aspect 16:9 FullHD Normal : 1920(H)x1080(V), 60i Recording, 17Mbps, Aspect 16:9 HD Fine : 1280(H)x720(V), 60p Recording), 17Mbps, Aspect 16:9 HD Normal : 1280(H)x720(V), 60p Recording, 13Mbps, Aspect 16:9 * Frame rate of image sensor output is 30fps [AVI Motion-JPEG] HD: 1280(H)x720(V), 30fps, Aspect 16:9 SD: 640(H)x480(V), 30fps, Aspect 4:3(VGA) * Some Artfilters are exceptional Maximum Recording Time [AVCHD] Max29min(Full HD Normal/HD Fine/HD Normal : 29min, Full HD Fine : 22min) [AVI Motion-JPEG] HD: 7min, SD: 14min (Some Artfilters are exceptional) IS for Movie Shifting electronic image File Size AVCHD : Max 4GB / AVI Motion-JPEG : Max 2GB Recording(Sound) Recording format [AVCHD] Dolby Digital [AVI Motion JPEG / Picture with Sound] Wave Format Base (Stereo PCM/16bit, 48kHz) Microphone/Speaker Stereo / Mono Maximum Recording Time Picture with Sound: 30sec / Movie: depend on Movie Recording Time White Balance White Balance mode Auto WB, 7 Preset WBs, 2 Capture WBs, Custom WB(Kelvin setting) Preset white balance 7 settings (3000K - 7500K) Lamp (3000K), Fluorescent (4000K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K), Underwater WB White balance compensation 7 steps in each A-B/G-M axis (in Auto WB / Preset WB mode / One touch WB) Color Mode sRGB, Adobe RGB Picture Mode Mode i-Enhance, Vivid, Natural, Portrait, Muted, Monotone, Art Filter Gradation 4 levels (Auto, High key, Normal, Low key) Multi Exposure Number of picture 2 frames Functions Auto gain, Live View, Exposing on Recorded picture Multi Aspect 4:3(Default)/3:2/16:9/6:6/3:4 One push Tele-converter x2 Playback Playback mode Single-frame, Information Display, Index Display(4/9/25/100 frames, Calendar), Close-up (2 - 14X), Movie (w/sound, FF/REW/Pause), Picture rotation (manual), Slideshow(Still/Movie/Still+Movie, Slide show w/BGM/BGM+Sound/Sound), When a camera is connected to HDTV with HDMI cable, 2 new slideshow effect can be selectable. (Still) Information display Histogram (independent luminance / RGB available), Highlight / Shadow point warning, AF frame, Shooting information Menu Japanese, English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai Print Print reservation (DPOF), Direct print (PictBridge compatible) Input/Output USB/Video connector Dedicated multi-connector (Video: NTSC/PAL selectable, Optional Remote cable RM-UC1, USB cable is available) HDMI connector Mini HDMI type-D(1080i/720p/576p/480p) Flash attachment Hot shoe Accessory attachment Accessory port 2 PC interface USB 2.

0 High Speed for storage through Multi-connector(MTP mode is available) TV interface HDMI(HD/Mono or Stereo Sound), VIDEO-OUT(SD/Mono Sound) DC-in - Power Requirements Battery BLS-1/BLS-5 Li-ion battery (included) Power battery holder - AC adaptor - Sleep mode Available (1, 3, 5 min., selectable) No.

of recordable pictures Approx. 300 shots (with BLS-1/BLS-5 and Toshiba Class 6 SDHC 4GB card under CIPA testing standard) Dimensions/Weight Dimensions 109.

5 x 63.7 x 37.

3mm (excluding protrusions) Weight 313g (including Battery and Memory card) / 265g (body only) Operating Environment Temperature 0 - 40C (operation) / -20 - 60C (storage) Humidity 30 - 90% (operation) / 10 - 90% (storage) (less)

0-inch flip-out widescreen LCD monitor, expanding photographic flexibility. Carrying the six most popular Art Filters plus variations and Art Effect functions, the E-PL3 combines the functionality and image quality of the E-P3 with enhanced ease of use.

PEN QUALITY Ultrafast AF based on the latest technology The perfect shot disappears as fast as it appears, sometimes vanishing even before you have a chance to see it or appreciate it. If only you could capture the moments moving through your mind, preserving them in images that you can look back on again and again.

Will of shooting comes in an instant and vanishes in an instant. The PEN's ultrafast AF will make the ideal real.

The E-PL3 incorporates the same advanced technologies used to implement ultrafast AF speed in the E-P3, including the Fast AF System, new 12.3-megapixel High Speed Live MOS Sensor and TruePic VI image processing engine.

You'll be astonished by the images it will capture for you. 5.

5 fps high-speed sequential shooting The E-PL3 also boasts high-performance sequential shooting capability. It incorporates a newly developed compact high-speed shutter mechanism*1 specially designed to deliver high performance in a compact body.

This has resulted in an improved sequential shooting rate of 5.5 frames per second*2.

Versatile AF functions increase your photographic comfort zone The 35-area AF has 35 focus selection areas, compared to 11 points on previous models, enabling detailed, pinpoint AF across a wider area than before. Other functions for improving AF versatility include the “group area AF”, which selects an area composed of 3 x 3 points from the 35 points to capture a fast-moving subject accurately, as well as the “fulltime AF function”, which keeps the Live View image focused even when the release button is not pressed, enabling quick tracking of a moving subject.

New 12.3-megapixel Live MOS Sensor The E-PL3 incorporates a new 12.

3-megapixel High Speed Live MOS sensor that is a high-sensitivity, high-speed version of the traditional Live MOS sensor. The sensor is also compatible 1920 x 1080/59.

94i full HD-format movie recording. The use of the line addition method for readout of lines in movies and Live View images improves image reproduction.

Maximum sensitivity has also been boosted to as high as ISO12800, which can improve shooting under low light, indoors or using a faster shutter speed. New image processing engine supporting high image quality and fast response The E-PL3 incorporates the new TruePic VI image processing engine to improve image quality and quicken response.

In addition to using the same Fine Detail processing that provided the E-5 with such high resolution, the E-PL3 incorporates Real Color Technology to improve the reproduction and gradation expressions of specific colors, so that they appear more natural and closer to the way the actually look to the human eye. Dedicated image processing cores are used separately for the recorded image and Live View image to improve the response in sequential shooting.

OPERATION Flip-out wide screen 3.0-inch LCD Monitor for more freedom when shooting The E-PL3 is the first PEN model to incorporate a flip-out LCD monitor in a compact body.

With a tilting mechanism capable of varying the orientation by 80 degrees upward or 45 degrees downward, this LCD gives you the freedom to take advantage of a much wider range of shooting, from the high angles useful in crowded environments such as a sports event or rock concert to the low angles helpful when taking pictures of children or pets. With its wide 3.

0-inch screen, this high-definition LCD monitor will be really appreciated by anyone who enjoys active photography. Live Guide for easy control of SLR-style effects The Live Guide interface helps you achieve sophisticated photographic and artistic effects from the moment you hold the camera in your hand.

Techniques possible only with SLRs, such as background defocusing, brightness variation and color tone variation can be controlled intuitively by selecting icons and turning the control dial, while following the Live Guide's instructions. With the E-PL3, the Live Guide can be activated from any of the P/A/S/M modes by simply pressing the Fn button.

Good-looking, sophisticated user interface The E-PL3's user interface has been completely redesigned. The font and graphics used in the menus have been enhanced to offer improved visibility and quality.

With the newly provided Menu Guide, when a menu item is selected, the camera enters the explanation display mode, popping up an explanation of each menu item whenever it is changed. This display is a big help for the user because the user can find out what each function is used for and how it is used without the instruction manual.

The Menu Guide can be switched ON/OFF with the INFO button. FL-LM1 High-Capability Removable Flash A removable flash (GN10 (ISO200)) that can be attached only when needed is provided in the product package.

ART FILTER Six Art Filters Designed for those who are not satisfied with simply capturing reality, but who also want to enjoy artistic expressions with their cameras, The Art Filters has made another progress. The E-PL3 incorporates the six Art Filters available for the present.

In addition, "Art Effects" including the Starlight and White Edge effects are provided to expand the range of expressions. Intuitive combination of the effect with an Art Filter will help you finish your pictures into a work of art.

POP ART (I/II) This filter enhances colors impressively to turn a scene in daily life into a pop, or kitschy world. It even reproduces the atmosphere of the subject brightly and joyfully to finish the picture in a pop art style.

SOFT FOCUS This filter expresses an ethereal atmosphere with a soft tone. While retaining the core details of the subject, it produces a beautiful image with fantasy-like style as if the subject is surrounded by the light of happiness.

GRAINY FILM (I / II) Evoking the rawness and stark power of traditional black and white with rough grains and high contrast, this filter creates a dramatic atmosphere, enhancing the feeling of presence and emphasizing the theme of the picture. PIN HOLE (I / II / III) This filter offers a photographic expression like that obtained from a toy camera by reducing the peripheral brightness using a tunnel effect and reproducing the image in unique color tone.

The result is a mysterious, secretive atmosphere as if you are lost in a different dimension. DIORAMA This filter turns the real world in front of the camera into a world of toys.

A rapid variation in the focus confuses the feeling of distance to create a surreal miniature world. DRAMATIC TONE This filter provides a daily landscape with a dramatic impression.

It applies local changes in contrast to the image to represent the real space in a fictitious style by creating unrealistic tones of light and darkness. Art Effects This function adds various composition effects to Art Filters and has been expanded to five effects with the addition of the Starlight effect and White Edge effect.

These effects provide everyone with the opportunity to utilize exciting new creative expressions in both still images and movies. Art Filter Bracketing This function generates multiple pictures with different Art Filters with a single shot, making it possible to experiment with several different photographic effects at the same time and explore new variations that you may not have though of before.

In addition to the Art Filters, this function can also be used to select multiple picture modes including Vivid, Natural, Muted and Portrait. Various function Full HD movie To make the most of its SLR image quality when recording movies, the E-PL3 can record full HD movies in the super-high-quality AVCHD.

For easy and convenient playback and editing on a computer or web uploading, the E-PL3 can also record HD movies in the AVI Motion JPEG format. Further assurance of quality is provided by the multimotion-compatible movie IS system, which stabilizes the slow shake produced when shooting while walking.

You' ll also be able to take full advantage of the E-PL3's collection of Art Filters to express your creative vision. High-quality stereo audio can be recorded in either the Dolby Digital format (AVCHD recording) or the linear PCM format (AVI Motion JPEG recording).

Movies can be viewed on your TV and controlled by your TV's remote by connecting a commercially available HDMI mini-cable. * Image stabilization in the movie mode is electronic so slightly enlarged images are recorded.

* IS may not be effective if the camera is shaken excessively. * When an Art Filter is used, the frame rate, the recorded audio and the availability of Art Effects vary according to the movie format and the Art Filter in use.

The frame rate is 2 fps with the AVCHD format. * Only a TV compliant with the HDMI-CES standard can be used.

Some operations may be limited with certain TV. * It is recommended to use a card compatible with SD Speed Class 6 or higher for recording movies.

* Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. * “AVCHD” and the “AVCHD” logo are trademarks of Panasonic Corporation and Sony Corporation.

Built-in image stabilization Though small, the image stabilization mechanism built into the camera offers remarkably high performance. And, because the IS mechanism is incorporated in the camera, it works with any lens you mount on the camera.

Operating automatically as required, this high-precision IS mechanism lets you shoot with confidence even under low light or when using a telephoto lens. Accessory Port 2 The E-PL3 may be small, but it is designed to serve as the core of a powerful photographic system.

An accessory port on the back of the camera lets you connect a variety of accessories including an electronic viewfinder, external stereo microphones and a macro arm light, as well as the OLYMPUS PENPAL PP-1 - a communication unit that makes it easy to transfer images to a smartphone. Face and Eye detection AF/Tracking AF Sophisticated and accurate, the face and eye detection AF function lets you prioritize nearer eye, left-side eye or right-side eye to capture sharp, detailed expressions in portrait shooting.

When not required, you can switch it off. For accurate autofocusing of moving subjects, the tracking AF function employs an advanced new detection algorithm that uses the chroma data and face detection data, as well as the luminance signal to improve the accuracy of tracking.

In addition, an AF illuminator is provided to support autofocusing in low light. e-Portrait The e-Portrait scene mode enhances the appearance of your subject by making the skin appear brighter and smoother.

When this mode is set before shooting, the camera automatically saves the image both with and without correction*. It is also possible to apply the same effect in the post-shooting edit mode so that you can take the best shot and make it even better.

* The corrected image is saved only in 2560 x 1920 pixels. * This function may be ineffective with certain subjects.

i-ENHANCE The iAUTO function that automatically selects the optimum mode when the camera is pointed at the subject now includes the "i-ENHANCE" picture mode, which is capable of evoking a "being-there" feeling with vivid colors. The i-ENHANCE mode is set automatically when the iAUTO function is selected, and the camera determines the optimum color and contrast conditions so that the subject is imaged prominently.

Multi-Aspect You can select different aspect ratios for your pictures to suit different requirements or creative goals. Five aspect ratios are available including the standard 4:3, 16:9 for impressive, cinematic-style images, 6:6, which has a square screen like a medium-format camera, 3:2, which is identical to 35 mm film cameras, and 3:4, which makes it possible to capture a vertical composition image without rotating the camera.

Using unusual aspect ratios will lead you to encounters with fresh expressions. 3D Photo Shooting A 3D Photo function has been added to the scene modes.

After you take the first shot in this mode, you simply position the camera following the guide and take the second shot. The images are combined and recorded as a 3D file (MPO format).

The recorded 3D image can be played on a 3D-compatible PC or TV. You can also apply Art Filters* to your 3D pictures to create truly original and impressive images.

* The Starlight effect cannot be applied. * 3D pictures can be viewed on a 3D-compatible PC or TV by playing them back on the camera via an HDMI connection or USB connection, or by playing them back on an SD card.

One-push digital teleconverter The one-push digital teleconverter function can be allocated to the Fn button so you can shoot a 2X telephoto image at the push of the button. Image interpolation performed by the TruePic VI image processor magnifies the captured image by 2X with digital processing while maintaining the number of pixels.

When you use it in combination with the M.ZUIKO DIGITAL ED 40-150mm f4.

0-5.6R lens, you' ll be able to capture amazing super telephoto pictures with a focal length of 600mm (35mm camera equivalent).

Multi-Exposure This function makes it easy to experiment and create your own amazing images by superimposing two images while checking the final result on the Live View display. An image previously saved as RAW data is used as the basis and displayed semi-transparently on the Live View, while a new image is captured and superimposed.

Each multi-exposure can superimpose two frames at a time so repeating the exposures makes it possible to superimpose as many frames as desired. New slideshow effects The GPU with 3D graphic display capability also makes it possible to enjoy two types of slideshow.

Dazzle your friends and family with an entertaining image display synced with original background music composed by Daishi Dance. It's a great way to relive the fun times you had while shooting, and a great way to share those special times with others.

* The slideshows can be selected when the camera is connected to an HD-compatible TV set through an HDMI mini-cable (commercially available). Specification Product Type Product type Micro Four Thirds interchangeable lens system camera Memory SD Memory Card(SDHC, SDXC, UHS-I compatible), Eye-Fi * Class 6 is recommended for Movie shooting Screen size 17.

3 x 13.0 mm Lens mount Micro Four Thirds Mount Image Pickup Unit Product type High speed Live MOS Sensor Number of pixels Number of effective pixels : Approx.

12.3 million pixels Total number of pixels : Approx.

13.1 million pixels Aspect ratio 1.

33 (4:3) Dust reduction Supersonic Wave Filter (dust reduction system for image sensor) Recording(Still) Recording format DCF, DPOF compatible/Exif, PRINT Image Matching III File format RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO (3D still) Recording image size [RAW] 4032 x 3024 pixels [JPEG] 4032 x 3024 pixels - 640 x 480 pixels Image Stabilization System Type Built in (Imager shift image stabilizer) Mode 3 modes (IS1:2 dimensional activation, IS2:1 dimensional activation in landscape frame to vertical direction moving, IS3:1dimensional activation in portrait frame to vertical direction moving ), OFF IS for finder image - Focal length setting Available Live View Type Image Sensor(High Speed Live MOS) type Field of view Approx.100% Display Mode Normal Mode, Grid Line Mode(4 types), Histogram Mode, Magnified View Mode, Comparable View Mode, OFF Mode Magnification Ratio x5, x7, x10 (Default), x14 Monitor information Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery Check, Myset, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation mark, Exposure Compensation Value, Spot metering Area, Flash Mode, Flash Status, Flash intensity Control, Super FP, Focusing length, Tone control, Eye-Fi condition Display of Face Detection Max 8 frames of face detection can be displayed Monitor Monitor type LCD, AR(Anti-Reflection) coating, Tilt function Size 3.

0 inches 16:9 Total no. of pixels Approx.

460,000 dots Brightness control / Color balance 7 levels / - Color temperature 7 levels Color tone select - Focusing AF system Imager Contrast Detection AF system *When non High-speed imager AF compatible lens is used, it works as AF assist. Focus mode Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) * C-AF and AF tracking are not available with non-mFTS lenses.

* This is can be set in both recording mode, still and movie, separately. Full-time AF Available Magnified frame AF Available Face detection AF / Eye detection AF Available (Eye Detect AF : OFF / Near side eye priority mode / Right side eye priority mode / Left side eye priority mode) Focusing point 35-area multiple AF with the contrast detection system (Auto, selectable in option) Focusing point selection Auto from all 35 area, Single area from 35 area, Group Target area (9 area) from 35 area / Auto from almost all area when Face detection is ON / Free selection when Magnified View Mode is selected AF illuminator Available Manual Focus Assist * Customize function When rotation of focus ring is detected under S-AF+MF or MF mode, LV is magnified automatically Exposure Control (Still) Metering system (TTL Image sensor metering) TTL Image Sensor metering system (1) Digital ESP metering (324-area multi pattern metering) (2) Center weighted average metering (3) Spot metering (approx.

1% for the viewfinder screen. Highlight / shadow bases are available) Metering range EV 0 - 20 (Digital ESP metering, Centre weighted average metering, Spot metering) (At normal temperature, 17mm f2.

8, ISO 100) Exposure mode (1)iAuto (2)P: Programme AE (Programme shift can be performed) (3)A: Aperture priority AE (4)S: Shutter priority AE (5)M: Manual (6)Scene select AE (7)Art Filter (8)Underwater wide / Underwater macro (Selectable from menu as a function on Rec/Fn button) Scene select AE Portrait, e-Portrait, Landscape, Landscape + Portrait, Macro, Sport, Night Scene, Night + Portrait, Children, High Key, Low Key, DIS mode, Nature Macro, Candle, Sunset, Document, Panorama, Fireworks, Beach & Snow, Fisheye Conv, Wide Conv, Macro Conv, 3D ISO sensitivity AUTO : ISO 200 - 12800(customizable, Default 200-1600) / Manual : ISO 200 - 12800, 1/3 or 1 EV steps, Exposure compensation 3 EV in 1/3, 1/2, 1 EV steps selectable AE lock Available (Using Rec/Fn button is available) Shutter Product type Computerized focal-plane shutter Shutter speed 60 - 1/4000 sec. Bulb: up to 30 min.

(selectable longest time in the menu. Default: 8 min) 1/3, 1/2, or 1EV steps selectable.

Flash Built-in flash No. Special external flash is bundled.

Bundled flash FL-LM1 G.No GN=10(ISO200•m) / GN=7(ISO100•m) but ISO100 is not available Flash mode Auto, Red-eye reduction, Red-eye reduction slow sync.

, Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in, Off. *Flash mode of External Flash Synchronization speed 1/60-1/160 (Super FP 1/125-1/4000 with External Flash) Flash intensity control Up to 3 EV in 0.

3, 0.5, 1 EV steps Compatible external flash FL-50R, FL-36R, FL-50, FL-36, FL-20, FL-14, FL-300R, FL-600R Drive Drive mode Single-frame shooting, Sequential shooting, Self-timer Sequential shooting speed 4.

1 fps in sequential shooting (5.5 fps in case of "I.

S. OFF".

) Max. recordable pictures on sequential shooting [RAW mode] Max.

9frames. (with Toshiba SDHC UHS-I card R95 W80 model Premiugate series "Class 10" 8GB) [JPEG(LN) mode] Max.

15frames in case of "Sequential H" & "I.S.

is ON" (with Toshiba SDHC UHS-I card R95 W80 model Premiugate series "Class 10" 8GB) * Depending on shooting conditions, the sequential shooting speed may reduce speed during shooting. Self-timer Operation time: 12 sec.

, 2 sec. (cancel available) Bracketing Exposure bracketing 2, 3, 5frames in 0.

3, 0.5, 0.

7, 1EV steps selectable, 7frames in 0.3, 0.

5, 0.7EV steps selectable ISO bracketing - White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.

Flash bracketing - Art Filter bracketing Available Art Filter Mode Pop Art(I/II), Soft Focus, Grainy Film(I/II), Pin Hole(I/II/III), Diorama, Dramatic Tone Variation / Effect Available Recording(Movie) Recording format AVCHD / AVI Motion JPEG Movie Mode [AVCHD] FullHD Fine : 1920(H)x1080(V), 60i Recording, 20Mbps, Aspect 16:9 FullHD Normal : 1920(H)x1080(V), 60i Recording, 17Mbps, Aspect 16:9 HD Fine : 1280(H)x720(V), 60p Recording), 17Mbps, Aspect 16:9 HD Normal : 1280(H)x720(V), 60p Recording, 13Mbps, Aspect 16:9 * Frame rate of image sensor output is 30fps [AVI Motion-JPEG] HD: 1280(H)x720(V), 30fps, Aspect 16:9 SD: 640(H)x480(V), 30fps, Aspect 4:3(VGA) * Some Artfilters are exceptional Maximum Recording Time [AVCHD] Max29min(Full HD Normal/HD Fine/HD Normal : 29min, Full HD Fine : 22min) [AVI Motion-JPEG] HD: 7min, SD: 14min (Some Artfilters are exceptional) IS for Movie Shifting electronic image File Size AVCHD : Max 4GB / AVI Motion-JPEG : Max 2GB Recording(Sound) Recording format [AVCHD] Dolby Digital [AVI Motion JPEG / Picture with Sound] Wave Format Base (Stereo PCM/16bit, 48kHz) Microphone/Speaker Stereo / Mono Maximum Recording Time Picture with Sound: 30sec / Movie: depend on Movie Recording Time White Balance White Balance mode Auto WB, 7 Preset WBs, 2 Capture WBs, Custom WB(Kelvin setting) Preset white balance 7 settings (3000K - 7500K) Lamp (3000K), Fluorescent (4000K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K), Underwater WB White balance compensation 7 steps in each A-B/G-M axis (in Auto WB / Preset WB mode / One touch WB) Color Mode sRGB, Adobe RGB Picture Mode Mode i-Enhance, Vivid, Natural, Portrait, Muted, Monotone, Art Filter Gradation 4 levels (Auto, High key, Normal, Low key) Multi Exposure Number of picture 2 frames Functions Auto gain, Live View, Exposing on Recorded picture Multi Aspect 4:3(Default)/3:2/16:9/6:6/3:4 One push Tele-converter x2 Playback Playback mode Single-frame, Information Display, Index Display(4/9/25/100 frames, Calendar), Close-up (2 - 14X), Movie (w/sound, FF/REW/Pause), Picture rotation (manual), Slideshow(Still/Movie/Still+Movie, Slide show w/BGM/BGM+Sound/Sound), When a camera is connected to HDTV with HDMI cable, 2 new slideshow effect can be selectable. (Still) Information display Histogram (independent luminance / RGB available), Highlight / Shadow point warning, AF frame, Shooting information Menu Japanese, English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai Print Print reservation (DPOF), Direct print (PictBridge compatible) Input/Output USB/Video connector Dedicated multi-connector (Video: NTSC/PAL selectable, Optional Remote cable RM-UC1, USB cable is available) HDMI connector Mini HDMI type-D(1080i/720p/576p/480p) Flash attachment Hot shoe Accessory attachment Accessory port 2 PC interface USB 2.

0 High Speed for storage through Multi-connector(MTP mode is available) TV interface HDMI(HD/Mono or Stereo Sound), VIDEO-OUT(SD/Mono Sound) DC-in - Power Requirements Battery BLS-1/BLS-5 Li-ion battery (included) Power battery holder - AC adaptor - Sleep mode Available (1, 3, 5 min., selectable) No.

of recordable pictures Approx. 300 shots (with BLS-1/BLS-5 and Toshiba Class 6 SDHC 4GB card under CIPA testing standard) Dimensions/Weight Dimensions 109.

5 x 63.7 x 37.

3mm (excluding protrusions) Weight 313g (including Battery and Memory card) / 265g (body only) Operating Environment Temperature 0 - 40C (operation) / -20 - 60C (storage) Humidity 30 - 90% (operation) / 10 - 90% (storage) (less)

3 megapixels and the EXPEED3 image-processing engine, the D800 is your ideal professional camera. Designed for versatility and high performance, this D-SLR is equipped to handle massive amounts of data with ultra-fast speed.

D800 also offers superior image quality and supports ISO sensitivities from 50 to 25600. In addition, videos can be filmed in FX- and DX-based movie formats, creating true cinematic experiences.

For those who are seeking extraordinary details in their images, the D800E was specially built to create the sharpest shots by disabling the aliasing and moir pattern reduction operation performed by the optical low-pass filter. Newly developed Nikon FX-format CMOS sensor with 36.

3 effective megapixels The D800/D800E employ a Nikon FX-format CMOS sensor (35.9 x 24.

0 mm) with 36.3 effective megapixels, the world's highest number*.

It renders texture, nuances and details equivalent to those a high-end medium format camera can deliver. Advanced Scene Recognition System with enhanced accuracy realized by 91K-pixel RGB sensor Advanced Scene Recognition System realizes face detection during optical viewfinder shooting.

It achieves highly accurate control of auto functions such as AF, AE and AWB utilizing face detection information and detailed scene analysis information. Multi-area mode Full HD D-Movie that enables a variety of expressions in two formats It is possible to record 1,920 x 1,080/30p Full HD and HD movies in either of two formats that are FX- and DX-based.

You can select the format according to your creative intentions. Wide sensitivity range of ISO 100 to 6400, expandable to Lo 1 (ISO 50 equivalent) or Hi 2 (ISO 25600 equivalent).

Further improved high-speed, multifunctional, high-performance image-processing engine EXPEED 3. 51-point AF system with enhanced performance in subject acquisition and focusing in low-light situations.

Glass pentaprism viewfinder with approx. 100% frame coverage (FX format) and approx.

0.7x magnification.

Approx. 921k-dot, wide-viewing angle, 8-cm (3.

2-in.) LCD monitor with reinforced glass and automatic monitor brightness control.

Newly developed shutter unit tested for over 200,000 cycles; shutter speed up to 1/8,000 s and flash synchronization up to 1/250 s. Continuous shooting at approx.

4 fps* (FX, 5:4) and approx. 5 fps* (1.

2x, DX). *With EN-EL15 Rechargeable Li-ion Battery.

MB-D12 Multi-Power Battery Pack (optional) that enables high-speed continuous shooting at approx. 6 fps* in DX format.

*When using batteries other than EN-EL15 Recharge The D800E is a unique alternative that realizes the sharpest images possible. [NEW] Nikon FX-format CMOS sensor with 36.

3 effective megapixels The D800/D800E render levels of texture, nuance and detail to your photography that, until now, have been the exclusive domain of the complicated medium-format system. Define every eyelash, every line in tree bark, and every shimmer of light.

Savor the exceptional depth in your still images — with the astounding 36.3 effective megapixels, the world's highest*, you can.

Enlarge them as big as A1 poster-sized prints (59.4 x 84.

1 cm/23.4 x 33.

1 in.) at 200 dpi, or crop aggressively to reach the composition you desire, all without sacrificing the detail and tonal range of the original.

In order to maintain clean, high-resolution images, 14-bit A/D conversion within the sensor and a high signal-to-noise ratio deliver phenomenal images in a diverse array of situations. The image sensor's incredible potential does not stop with photography, either.

For cinematographers ready to put their exceptionally sharp NIKKOR lenses into action, the D800/D800E's 36.3 effective megapixel data is efficiently processed for exquiste 1080p broadcast quality video at 30p.

*As of February 7, 2012, among interchangeable lens digital SLR cameras employing an image sensor of 35mm film size. Standard ISO 100 to ISO 6400, range expandable to ISO 50 to 25600 equivalent High-resolution, studio-quality images shouldn't be restricted to the studio.

The D800/D800E set a new benchmark for high-resolution D-SLR cameras, with crisp clean images across a wide ISO range. Flexibility like this opens up new imaging opportunities for both still photographers and cinematographers alike during the "magic hour", the time just before dawn or at dusk when available light is often beautiful but scarce.

Even at high ISO settings, the camera's intelligent noise reduction systems manage noise without sacrificing fine details, giving the D800/D800E the edge. The difference can even be seen in low-contrast subjects such as hair and grass textures, which are often essential elements of cinema as well as high-resolution portraits and landscape images.

High image quality at higher ISOs also means that you can shoot still images handheld more confidently, knowing that fast shutter speeds will reduce blur. A strategic approach to turn light to your advantage Combining both high-resolution performance and a wide ISO sensitivity range has finally become a reality.

Nikon engineers have developed intelligent new methods to manipulate light transmission to the sensor's photodiodes: from the optical low-pass filter and on-chip gapless micro lenses to the image sensor's internal design, every measure has been taken to maximize and improve light transmission in order to deliver crisp, brilliant images with significantly less noise. All this is possible under a wide variety of lighting conditions, enabling you to get the most out of your NIKKOR lenses.

Optical low-pass filter optimized for sharpness on the D800 Reducing false color and moir is the main job of the optical low-pass filter located in front of the image sensor. However, this benefit is generally gained with a small sacrifice of sharpness.

Moir occurs in scenes containing repetitive details, such as strong vertical lines in architecture. Finding the right balance between benefits and sacrifices is the key to higher image quality, and that is what the D800's optical low-pass filter delivers.

As a result, the astounding 36.3 megapixels unleash their potential through an optimized balance between sharpness and effectively prevented moir and false color.

Furthermore, the multi-layer structure of the D800 low-pass filter utilizes layers of antireflective coating that have been optimized for the camera, contributing to sharper and clearer images. The ultimate attention to detail — the D800E Nikon engineers have developed a unique alternative for those seeking the ultimate in definition.

The D800E incorporates an optical filter with all the anti-aliasing properties removed in order to facilitate the sharpest images possible. This is an ideal tool for photographers who can control light, distance and their subjects to the degree where they can mitigate the occurrence of moir.

Aside from the optical filter, all functions and features are the same as on the D800. Note: The D800E carries an increased possibility that moir and false color will appear, compared to the D800.

IR cut and antireflective coating properties of the optical filter remain the same with both versions. Comparison of resolution: D800/D800E have the same resolution of 36.

3 megapixels The D800E reproduces the texture of the stone pavement and twigs with higher resolution than the D800. It allows sharper rendering with depth.

Comparison of false color and moir With the D800E, moir and false color may be noticeable when there are repetitive and fine patterns on a subject such as kimono fabric. To avoid this, it is necessary to take measures, for example, changing the focusing point or shooting distance.

Nikon Integrated Dust Reduction System that includes an Image Sensor Cleaning function Any dust that reaches the image sensor results in unattractive spots on your images. To prevent this, the D800/D800E employ Nikon's Integrated Dust Reduction System, which includes a self-cleaning sensor unit with four different resonance frequencies to vibrate the optical low-pass filter and shake dust away from the sensor.

This function can be set to operate automatically when the camera is turned on or off, or to manual. EXPEED 3 image-processing engine: speed, versatility, and high performance High-megapixel still images are detail-rich but data-heavy.

With the D800/D800E, however, you don't have to sacrifice speed for this privilege. Dedicated to understanding speed and its role in image making, Nikon engineers designed a powerful EXPEED 3 image-processing engine exclusively for digital SLRs.

From image processing and card recording to image playback and image transfer, EXPEED 3 manages massive amounts of data at faster speeds than EXPEED 2. Even with specialized processing features like Active D-Lighting and high ISO noise reduction, capture speed is not affected.

EXPEED 3 is so powerful that it handles data-intensive tasks such as Full HD video recording at 30p with ease. You'll also notice the difference in your still images and videos through minimized noise and even richer colors and tones.

In addition to these fundamental advantages, the D800/D800E reduce the kind of color phase shift that some cameras have difficulty with in similar situations. 14-bit A/D conversion and 16-bit image processing for rich tones and natural colors Tonal gradation is where an image transforms from simply representing life to taking on a life of its own.

The D800/D800E do exactly that, with cutting-edge image processing that injects vital energy into your images. Black is rendered as pitch black, and shadow details are subtle and rich.

Even under harsh, high-contrast light, where some cameras can fail, the D800/D800E's gradation remains smooth with abundant detail and tone all the way up the scale to pure white. Lateral chromatic aberration reduction: Take full advantage of your NIKKOR lens collection High-megapixel sensors can really test the quality of your lenses, but you can be confident that the combination of brilliant NIKKOR lenses and Nikon's intelligent processing measures will significantly reduce lateral chromatic aberration to give you incredibly natural-looking results.

Unlike other correction methods that simply eliminate chromatic aberration, Nikon's method compensates for these color differences in a resolving index for each color, making it particularly effective in producing images with stunning edge-to-edge sharpness. Moreover, because these corrections are made regardless of the NIKKOR lens used, this feature contributes substantially to achieving the sharpest images possible.

Advanced Scene Recognition System with 91K-pixel RGB sensor Nikon's revolutionary Advanced Scene Recognition System, introduced with the flagship D4 camera, is also employed in the D800/D800E. At its core is a 91K-pixel RGB sensor that meticulously analyzes each scene with the fine resolution.

The RGB sensor can recognize your scene's colors and brightness with unprecedented precision, then use that information to implement various automatic controls and give you more natural-looking results. The real breakthrough, however, is that the sensor can detect human faces with startling accuracy when shooting through the optical viewfinder.

Along with face detection, detailed scene analysis is utilized to support more accurate autofocus, auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. The improved subject tracking is most noticeable when using 3D-tracking, which can maintain a focus on moving subjects smaller in size than with previous generations.

More accurate face detection in auto-area AF and subject tracking in 3D-tracking Auto-area AF and 3D-tracking are AF-area modes unique to Nikon that use your subject's color and brightness information to detect focus. With the D800/D800E and their more precise information and subject recognition advancements, expect big steps forward for both AF-area modes when taking high-quality still images.

In auto-area AF, the camera can genuinely detect human faces and focuses on them immediately — useful when faces are a priority and there's no time to choose focus points. When using 3D-tracking, the sensor's fine resolution combines with a specifically optimized AF algorithm to realize unprecedented subject tracking precision, recognizing detailed patterns to keep your subject in sharp focus.

3D color matrix metering III for more accurate exposures Professional photographers who shoot still images know that Nikon's metering system delivers supremely well-balanced exposures. Thanks to the 91K-pixel RGB sensor, the D800/D800E have far more detailed scene information at its disposal — including detected face information.

This data helps the 3D color matrix metering III deliver more desirable auto exposures, especially when there are human faces present. When the D800/D800E detect a human face in a backlit situation, the camera determines the overall exposure while prioritizing the facial exposure, which might otherwise be underexposed.

When a face is lit from the front and appears much brighter than the background, the camera recognizes the situation and avoids blowing out the facial details. More balanced results in i-TTL balanced fill-flash and Active D-Lighting Nikon's i-TTL system has long been considered the most accurate flash control system in photography, but now face detection and highlight analysis by the 91K-pixel RGB sensor pushes performance even further.

With the D800/D800E's enhanced i-TTL balanced fill-flash, you can more precisely illuminate people's faces in relation to their surrounding brightness using either the built-in flash or an external hot-shoed Nikon Speedlight. For weddings and fashion shoots, or any photography that relies on the highest-quality still images, this new standard redefines what a flash system should be.

Face detection also makes a difference when Active D-Lighting is used to retain highlights and shadows in high-contrast lighting situations. Faces will be optimally exposed both in the sun and in the shade.

Light source identification for auto white balance in still images The D800/D800E's auto white balance is incredibly accurate in a diverse range of shooting situations, aided by unique Nikon technology that effectively identifies your light sources, both natural and artificial. With the 91K-pixel RGB sensor and the image sensor working together, the camera renders white as white with supreme accuracy.

Or if you prefer, the auto white balance can be set to reflect the warmth of ambient, incandescent lighting. Contribution to D-Movie shooting The D800/D800E's Advanced Scene Recognition System enhances not only still image shooting but also various controls used in movie shooting.

It identifies light sources and human faces finely, utilizing the high resolution of the image sensor to deliver accurate auto white balance and exposure control during movie shooting, and improves the precision of subject-tracking AF. Furthermore, it automatically detects flicker effects, and controls the exposure to reduce them.

Direct access to Picture Control that enables quick setting Customize the look of your stills and videos through Picture Controls by fine-tuning parameters such as sharpening, saturation, and hue. The D800/D800E now allow you to access Picture Control instantly and directly from a dedicated button rather than entering the menu.

When live view shooting, you can visually confirm how customized Picture Control settings will look and easily adjust the parameters. Specification Type Single-lens reflex digital camera Lens mount Nikon F mount (with AF coupling and AF contacts) Effective pixels Effective pixels 36.

3 million Image sensor Image sensor 35.9 x 24.

0 mm CMOS sensor (Nikon FX format) Total pixels 36.8 million Dust-reduction System Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software) Storage Image size (pixels) FX (36 x 24) image area: 7,360 x 4,912 (L), 5,520 x 3,680 (M), 3,680 x 2,456 (S)1.

2x (30 x 20) image area: 6,144 x 4,080 (L), 4,608 x 3,056 (M), 3,072 x 2,040 (S)DX (24 x 16) image area: 4,800 x 3,200 (L), 3,600 x 2,400 (M), 2,400 x 1,600 (S)5 : 4 (30 x 24) image area: 6,144 x 4,912 (L), 4,608 x 3,680 (M), 3,072 x 2,456 (S)FX-format photographs taken in movie live view: 6,720 x 3,776 (L), 5,040 x 2,832 (M), 3,360 x 1,888 (S)DX-format photographs in movie live view: 4,800 x 2,704 (L), 3,600 x 2,024 (M), 2,400 x 1,352 (S)Note: Photographs taken in movie live view have an aspect ratio of 16 : 9. A DX-based format is used for photographs taken using the DX (24 x 16) 1.

5x image area; an FX-based format is used for all other photographs. File format NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx.

1 : 4), normal (approx. 1 : 8), or basic (approx.

1 : 16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats Picture Control System Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls Media SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards; Type I CompactFlash memory cards (UDMA compliant) Dual card slots Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards. File system DCF (Design Rule for Camera File System) 2.

0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge Viewfinder Viewfinder Eye-level pentaprism single-lens reflex viewfinder Frame coverage FX (36 x 24): Approx.

100% horizontal and 100% vertical 1.2x (30 x 20): Approx.

97% horizontal and 97% vertical DX (24 x 16): Approx. 97% horizontal and 97% vertical 5:4 (30 x 24): Approx.

97% horizontal and 100% vertical Magnification Approx. 0.

7 x (50 mm f/1.4 lens at infinity, -1.

0 m-1) Eyepoint 17 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) Diopter adjustment -3 -+1 m-1 Focusing screen Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid Reflex mirror Quick return Depth-of-field preview When depth-of-field preview button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes) Lens aperture Instant return, electronically controlled Lens Compatible lenses Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC Micro-NIKKOR lenses) and DX lenses (using DX 24 x 16 1.

5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used.

The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster.

Shutter Type Electronically-controlled vertical-travel focal-plane shutter Speed 1/8000 - 30 s in steps of 1/3, 1/2, or 1 EV, bulb, X250 Flash sync speed X=1/250 s; synchronizes with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s) Release Release mode Single frame, Continuous low speed, Continuous high speed, Quiet shutter-release, Self-timer, Mirror up Approximate frame advance rate With EN-EL15 batteries - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: DX/1.2x; CL: 1-5 fps, CH: 5 fpsOther power sources - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: 1.

2x; CL: 1-5 fps, CH: 5 fps - Image area: DX; CL: 1-5 fps, CH: 6 fps Self-timer 2 s, 5 s, 10 s, 20 s; 1-9 exposures at intervals of 0.5, 1, 2, or 3 s Exposure Metering TTL exposure metering using 91K (91,000)-pixel RGB sensor Metering method Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12 mm circle in center of frame.

Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame) Spot: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used) Range (ISO 100, f/1.

4 lens, 20 C/68 F) Matrix or center-weighted metering: 0-20 EV Spot metering: 2-20 EV Exposure meter coupling Combined CPU and AI Exposure mode Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) Exposure compensation -5 -+5 EV in increments of 1/3, 1/2, or 1 EV Exposure bracketing 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV Flash bracketing 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV White balance bracketing 2-9 frames in steps of 1, 2, or 3 ADL bracketing 2 frames using selected value for one frame or 3-5 frames using preset values for all frames Exposure lock Luminosity locked at detected value with AE-L/AF-L button ISO sensitivity (Recommended Exposure Index) ISO 100 - 6400 in steps of 1/3, 1/2, or 1 EV. Can also be set to approx.

0.3, 0.

5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx.

0.3, 0.

5, 0.7, 1, or 2 EV (ISO 25600 equivalent) above ISO 6400; auto ISO sensitivity control available Active D-Lighting Can be selected from Auto, Extra high, High, Normal, Low, or Off Focus Autofocus Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors), and AF-assist illuminator (range approx.

0.5-3 m/1 ft 8 in.

-9 ft 10 in.) Detection range -2 -+19 EV (ISO 100, 20 C/68 F) Lens servo Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); predictive focus tracking automatically activated according to subject status Manual focus (M): Electronic rangefinder can be used Focus point Can be selected from 51 or 11 focus points AF-area mode Single-point AF, 9-, 21-, or 51- point dynamic-area AF, 3D-tracking, auto-area AF Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button Flash Built-in flash Manual pop-up with button release and a Guide Number of 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 C/68 F) Flash control TTL: i-TTL flash control using 91K (91,000)-pixel RGB sensor is available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering Flash mode Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; Auto FP High-Speed Sync supported Flash compensation -3 -+1 EV in increments of 1/3, 1/2, or 1 EV Flash-ready indicator Lights when built-in flash or optional flash unit is fully charged; blinks for 3 s after flash is fired at full output Accessory shoe ISO 518 hot-shoe with sync and data contacts and safety lock Nikon Creative Lighting System (CLS) Advanced Wireless Lighting supported with built-in flash, SB-910, SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; built-in flash can serve as master flash in commander mode; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units Sync terminal ISO 519 sync terminal with locking thread White balance White balance Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2500 K-10000 K), all with fine-tuning.

Live View Modes Live view photography (still images), movie live view (movies) Lens servo Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F) Manual focus (M) AF-area mode Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF Autofocus Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) Movie Metering TTL exposure metering using main image sensor Frame size (pixels) and frame rate 1,920 x 1,080; 30 p (progressive), 25 p, 24 p1,280 x 720; 60 p, 50 p, 30 p, 25 pActual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.

97, 25, and 23.976 fps respectively; options support both high and normal image quality File format MOV Video compression H.

264/MPEG-4 Advanced Video Coding Audio recording format Linear PCM Audio recording device Built-in monaural or external stereo microphone; sensitivity adjustable Movie options Index marking, time-lapse photography Monitor Monitor 8-cm/3.2-in.

, approx. 921k-dot (VGA) TFT LCD with 170 viewing angle, approx.

100% frame coverage, and automatic monitor brightness control using ambient brightness sensor Playback Playback Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, highlights, histogram display, auto image rotation, and image comment (up to 36 characters) Interface USB SuperSpeed USB (USB 3.0 Micro-B connector) HDMI output Type C mini-pin HDMI connector; can be used simultaneously with camera monitor Audio input Stereo mini-pin jack (3.

5mm diameter) Audio output Stereo mini-pin jack (3.5mm diameter) Ten-pin remote terminal Can be used to connect optional remote control, GP-1 GPS unit, or GPS device compliant with NMEA0183 version 2.

01 or 3.01 (requires optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector) Supported languages Supported languages Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian Power source Battery One rechargeable Li-ion EN-EL15 battery Battery pack Optional MB-D12 multi-power battery pack with one rechargeable Nikon EN-EL15 Li-ion battery or eight AA alkaline, Ni-MH, or lithium batteries.

AC adapter EH-5b AC adapter; requires EP-5B power connector (available separately) Tripod socket Tripod socket 1/4 in. (ISO 1222) Dimensions/weight Dimensions (W x H x D) Approx.

146 x 123 x 81.5 mm (5.

7 x 4.8 x 3.

2 in.) Weight Approx.

1,000 g (2 lb 3.3 oz) with battery and SD memory card but without body cap; approx.

900 g/1 lb 15.7 oz (camera body only) Operating environment Temperature 0-40 C (+32-104 F) Humidity Less than 85% (no condensation) Supplied accessories Supplied accessories EN-EL15 rechargeable Li-ion battery with terminal cover, MH-25 battery charger (AC wall adapter supplied only in countries or regions where required), Strap (AN-DC6 for D800, AN-DC6E for D800E), UC-E14 USB cable, USB cable clip, BF-1B body cap, BS-1 accessory shoe cover, BM-12 monitor cover, ViewNX 2 installer CD (less)

3 megapixels and the EXPEED3 image-processing engine, the D800 is your ideal professional camera. Designed for versatility and high performance, this D-SLR is equipped to handle massive amounts of data with ultra-fast speed.

D800 also offers superior image quality and supports ISO sensitivities from 50 to 25600. In addition, videos can be filmed in FX- and DX-based movie formats, creating true cinematic experiences.

For those who are seeking extraordinary details in their images, the D800E was specially built to create the sharpest shots by disabling the aliasing and moir pattern reduction operation performed by the optical low-pass filter. Newly developed Nikon FX-format CMOS sensor with 36.

3 effective megapixels The D800/D800E employ a Nikon FX-format CMOS sensor (35.9 x 24.

0 mm) with 36.3 effective megapixels, the world's highest number*.

It renders texture, nuances and details equivalent to those a high-end medium format camera can deliver. Advanced Scene Recognition System with enhanced accuracy realized by 91K-pixel RGB sensor Advanced Scene Recognition System realizes face detection during optical viewfinder shooting.

It achieves highly accurate control of auto functions such as AF, AE and AWB utilizing face detection information and detailed scene analysis information. Multi-area mode Full HD D-Movie that enables a variety of expressions in two formats It is possible to record 1,920 x 1,080/30p Full HD and HD movies in either of two formats that are FX- and DX-based.

You can select the format according to your creative intentions. Wide sensitivity range of ISO 100 to 6400, expandable to Lo 1 (ISO 50 equivalent) or Hi 2 (ISO 25600 equivalent).

Further improved high-speed, multifunctional, high-performance image-processing engine EXPEED 3. 51-point AF system with enhanced performance in subject acquisition and focusing in low-light situations.

Glass pentaprism viewfinder with approx. 100% frame coverage (FX format) and approx.

0.7x magnification.

Approx. 921k-dot, wide-viewing angle, 8-cm (3.

2-in.) LCD monitor with reinforced glass and automatic monitor brightness control.

Newly developed shutter unit tested for over 200,000 cycles; shutter speed up to 1/8,000 s and flash synchronization up to 1/250 s. Continuous shooting at approx.

4 fps* (FX, 5:4) and approx. 5 fps* (1.

2x, DX). *With EN-EL15 Rechargeable Li-ion Battery.

MB-D12 Multi-Power Battery Pack (optional) that enables high-speed continuous shooting at approx. 6 fps* in DX format.

*When using batteries other than EN-EL15 Recharge The D800E is a unique alternative that realizes the sharpest images possible. [NEW] Nikon FX-format CMOS sensor with 36.

3 effective megapixels The D800/D800E render levels of texture, nuance and detail to your photography that, until now, have been the exclusive domain of the complicated medium-format system. Define every eyelash, every line in tree bark, and every shimmer of light.

Savor the exceptional depth in your still images — with the astounding 36.3 effective megapixels, the world's highest*, you can.

Enlarge them as big as A1 poster-sized prints (59.4 x 84.

1 cm/23.4 x 33.

1 in.) at 200 dpi, or crop aggressively to reach the composition you desire, all without sacrificing the detail and tonal range of the original.

In order to maintain clean, high-resolution images, 14-bit A/D conversion within the sensor and a high signal-to-noise ratio deliver phenomenal images in a diverse array of situations. The image sensor's incredible potential does not stop with photography, either.

For cinematographers ready to put their exceptionally sharp NIKKOR lenses into action, the D800/D800E's 36.3 effective megapixel data is efficiently processed for exquiste 1080p broadcast quality video at 30p.

*As of February 7, 2012, among interchangeable lens digital SLR cameras employing an image sensor of 35mm film size. Standard ISO 100 to ISO 6400, range expandable to ISO 50 to 25600 equivalent High-resolution, studio-quality images shouldn't be restricted to the studio.

The D800/D800E set a new benchmark for high-resolution D-SLR cameras, with crisp clean images across a wide ISO range. Flexibility like this opens up new imaging opportunities for both still photographers and cinematographers alike during the "magic hour", the time just before dawn or at dusk when available light is often beautiful but scarce.

Even at high ISO settings, the camera's intelligent noise reduction systems manage noise without sacrificing fine details, giving the D800/D800E the edge. The difference can even be seen in low-contrast subjects such as hair and grass textures, which are often essential elements of cinema as well as high-resolution portraits and landscape images.

High image quality at higher ISOs also means that you can shoot still images handheld more confidently, knowing that fast shutter speeds will reduce blur. A strategic approach to turn light to your advantage Combining both high-resolution performance and a wide ISO sensitivity range has finally become a reality.

Nikon engineers have developed intelligent new methods to manipulate light transmission to the sensor's photodiodes: from the optical low-pass filter and on-chip gapless micro lenses to the image sensor's internal design, every measure has been taken to maximize and improve light transmission in order to deliver crisp, brilliant images with significantly less noise. All this is possible under a wide variety of lighting conditions, enabling you to get the most out of your NIKKOR lenses.

Optical low-pass filter optimized for sharpness on the D800 Reducing false color and moir is the main job of the optical low-pass filter located in front of the image sensor. However, this benefit is generally gained with a small sacrifice of sharpness.

Moir occurs in scenes containing repetitive details, such as strong vertical lines in architecture. Finding the right balance between benefits and sacrifices is the key to higher image quality, and that is what the D800's optical low-pass filter delivers.

As a result, the astounding 36.3 megapixels unleash their potential through an optimized balance between sharpness and effectively prevented moir and false color.

Furthermore, the multi-layer structure of the D800 low-pass filter utilizes layers of antireflective coating that have been optimized for the camera, contributing to sharper and clearer images. The ultimate attention to detail — the D800E Nikon engineers have developed a unique alternative for those seeking the ultimate in definition.

The D800E incorporates an optical filter with all the anti-aliasing properties removed in order to facilitate the sharpest images possible. This is an ideal tool for photographers who can control light, distance and their subjects to the degree where they can mitigate the occurrence of moir.

Aside from the optical filter, all functions and features are the same as on the D800. Note: The D800E carries an increased possibility that moir and false color will appear, compared to the D800.

IR cut and antireflective coating properties of the optical filter remain the same with both versions. Comparison of resolution: D800/D800E have the same resolution of 36.

3 megapixels The D800E reproduces the texture of the stone pavement and twigs with higher resolution than the D800. It allows sharper rendering with depth.

Comparison of false color and moir With the D800E, moir and false color may be noticeable when there are repetitive and fine patterns on a subject such as kimono fabric. To avoid this, it is necessary to take measures, for example, changing the focusing point or shooting distance.

Nikon Integrated Dust Reduction System that includes an Image Sensor Cleaning function Any dust that reaches the image sensor results in unattractive spots on your images. To prevent this, the D800/D800E employ Nikon's Integrated Dust Reduction System, which includes a self-cleaning sensor unit with four different resonance frequencies to vibrate the optical low-pass filter and shake dust away from the sensor.

This function can be set to operate automatically when the camera is turned on or off, or to manual. EXPEED 3 image-processing engine: speed, versatility, and high performance High-megapixel still images are detail-rich but data-heavy.

With the D800/D800E, however, you don't have to sacrifice speed for this privilege. Dedicated to understanding speed and its role in image making, Nikon engineers designed a powerful EXPEED 3 image-processing engine exclusively for digital SLRs.

From image processing and card recording to image playback and image transfer, EXPEED 3 manages massive amounts of data at faster speeds than EXPEED 2. Even with specialized processing features like Active D-Lighting and high ISO noise reduction, capture speed is not affected.

EXPEED 3 is so powerful that it handles data-intensive tasks such as Full HD video recording at 30p with ease. You'll also notice the difference in your still images and videos through minimized noise and even richer colors and tones.

In addition to these fundamental advantages, the D800/D800E reduce the kind of color phase shift that some cameras have difficulty with in similar situations. 14-bit A/D conversion and 16-bit image processing for rich tones and natural colors Tonal gradation is where an image transforms from simply representing life to taking on a life of its own.

The D800/D800E do exactly that, with cutting-edge image processing that injects vital energy into your images. Black is rendered as pitch black, and shadow details are subtle and rich.

Even under harsh, high-contrast light, where some cameras can fail, the D800/D800E's gradation remains smooth with abundant detail and tone all the way up the scale to pure white. Lateral chromatic aberration reduction: Take full advantage of your NIKKOR lens collection High-megapixel sensors can really test the quality of your lenses, but you can be confident that the combination of brilliant NIKKOR lenses and Nikon's intelligent processing measures will significantly reduce lateral chromatic aberration to give you incredibly natural-looking results.

Unlike other correction methods that simply eliminate chromatic aberration, Nikon's method compensates for these color differences in a resolving index for each color, making it particularly effective in producing images with stunning edge-to-edge sharpness. Moreover, because these corrections are made regardless of the NIKKOR lens used, this feature contributes substantially to achieving the sharpest images possible.

Advanced Scene Recognition System with 91K-pixel RGB sensor Nikon's revolutionary Advanced Scene Recognition System, introduced with the flagship D4 camera, is also employed in the D800/D800E. At its core is a 91K-pixel RGB sensor that meticulously analyzes each scene with the fine resolution.

The RGB sensor can recognize your scene's colors and brightness with unprecedented precision, then use that information to implement various automatic controls and give you more natural-looking results. The real breakthrough, however, is that the sensor can detect human faces with startling accuracy when shooting through the optical viewfinder.

Along with face detection, detailed scene analysis is utilized to support more accurate autofocus, auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. The improved subject tracking is most noticeable when using 3D-tracking, which can maintain a focus on moving subjects smaller in size than with previous generations.

More accurate face detection in auto-area AF and subject tracking in 3D-tracking Auto-area AF and 3D-tracking are AF-area modes unique to Nikon that use your subject's color and brightness information to detect focus. With the D800/D800E and their more precise information and subject recognition advancements, expect big steps forward for both AF-area modes when taking high-quality still images.

In auto-area AF, the camera can genuinely detect human faces and focuses on them immediately — useful when faces are a priority and there's no time to choose focus points. When using 3D-tracking, the sensor's fine resolution combines with a specifically optimized AF algorithm to realize unprecedented subject tracking precision, recognizing detailed patterns to keep your subject in sharp focus.

3D color matrix metering III for more accurate exposures Professional photographers who shoot still images know that Nikon's metering system delivers supremely well-balanced exposures. Thanks to the 91K-pixel RGB sensor, the D800/D800E have far more detailed scene information at its disposal — including detected face information.

This data helps the 3D color matrix metering III deliver more desirable auto exposures, especially when there are human faces present. When the D800/D800E detect a human face in a backlit situation, the camera determines the overall exposure while prioritizing the facial exposure, which might otherwise be underexposed.

When a face is lit from the front and appears much brighter than the background, the camera recognizes the situation and avoids blowing out the facial details. More balanced results in i-TTL balanced fill-flash and Active D-Lighting Nikon's i-TTL system has long been considered the most accurate flash control system in photography, but now face detection and highlight analysis by the 91K-pixel RGB sensor pushes performance even further.

With the D800/D800E's enhanced i-TTL balanced fill-flash, you can more precisely illuminate people's faces in relation to their surrounding brightness using either the built-in flash or an external hot-shoed Nikon Speedlight. For weddings and fashion shoots, or any photography that relies on the highest-quality still images, this new standard redefines what a flash system should be.

Face detection also makes a difference when Active D-Lighting is used to retain highlights and shadows in high-contrast lighting situations. Faces will be optimally exposed both in the sun and in the shade.

Light source identification for auto white balance in still images The D800/D800E's auto white balance is incredibly accurate in a diverse range of shooting situations, aided by unique Nikon technology that effectively identifies your light sources, both natural and artificial. With the 91K-pixel RGB sensor and the image sensor working together, the camera renders white as white with supreme accuracy.

Or if you prefer, the auto white balance can be set to reflect the warmth of ambient, incandescent lighting. Contribution to D-Movie shooting The D800/D800E's Advanced Scene Recognition System enhances not only still image shooting but also various controls used in movie shooting.

It identifies light sources and human faces finely, utilizing the high resolution of the image sensor to deliver accurate auto white balance and exposure control during movie shooting, and improves the precision of subject-tracking AF. Furthermore, it automatically detects flicker effects, and controls the exposure to reduce them.

Direct access to Picture Control that enables quick setting Customize the look of your stills and videos through Picture Controls by fine-tuning parameters such as sharpening, saturation, and hue. The D800/D800E now allow you to access Picture Control instantly and directly from a dedicated button rather than entering the menu.

When live view shooting, you can visually confirm how customized Picture Control settings will look and easily adjust the parameters. Specification Type Single-lens reflex digital camera Lens mount Nikon F mount (with AF coupling and AF contacts) Effective pixels Effective pixels 36.

3 million Image sensor Image sensor 35.9 x 24.

0 mm CMOS sensor (Nikon FX format) Total pixels 36.8 million Dust-reduction System Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software) Storage Image size (pixels) FX (36 x 24) image area: 7,360 x 4,912 (L), 5,520 x 3,680 (M), 3,680 x 2,456 (S)1.

2x (30 x 20) image area: 6,144 x 4,080 (L), 4,608 x 3,056 (M), 3,072 x 2,040 (S)DX (24 x 16) image area: 4,800 x 3,200 (L), 3,600 x 2,400 (M), 2,400 x 1,600 (S)5 : 4 (30 x 24) image area: 6,144 x 4,912 (L), 4,608 x 3,680 (M), 3,072 x 2,456 (S)FX-format photographs taken in movie live view: 6,720 x 3,776 (L), 5,040 x 2,832 (M), 3,360 x 1,888 (S)DX-format photographs in movie live view: 4,800 x 2,704 (L), 3,600 x 2,024 (M), 2,400 x 1,352 (S)Note: Photographs taken in movie live view have an aspect ratio of 16 : 9. A DX-based format is used for photographs taken using the DX (24 x 16) 1.

5x image area; an FX-based format is used for all other photographs. File format NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx.

1 : 4), normal (approx. 1 : 8), or basic (approx.

1 : 16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats Picture Control System Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls Media SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards; Type I CompactFlash memory cards (UDMA compliant) Dual card slots Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards. File system DCF (Design Rule for Camera File System) 2.

0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge Viewfinder Viewfinder Eye-level pentaprism single-lens reflex viewfinder Frame coverage FX (36 x 24): Approx.

100% horizontal and 100% vertical 1.2x (30 x 20): Approx.

97% horizontal and 97% vertical DX (24 x 16): Approx. 97% horizontal and 97% vertical 5:4 (30 x 24): Approx.

97% horizontal and 100% vertical Magnification Approx. 0.

7 x (50 mm f/1.4 lens at infinity, -1.

0 m-1) Eyepoint 17 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) Diopter adjustment -3 -+1 m-1 Focusing screen Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid Reflex mirror Quick return Depth-of-field preview When depth-of-field preview button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes) Lens aperture Instant return, electronically controlled Lens Compatible lenses Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC Micro-NIKKOR lenses) and DX lenses (using DX 24 x 16 1.

5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used.

The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster.

Shutter Type Electronically-controlled vertical-travel focal-plane shutter Speed 1/8000 - 30 s in steps of 1/3, 1/2, or 1 EV, bulb, X250 Flash sync speed X=1/250 s; synchronizes with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s) Release Release mode Single frame, Continuous low speed, Continuous high speed, Quiet shutter-release, Self-timer, Mirror up Approximate frame advance rate With EN-EL15 batteries - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: DX/1.2x; CL: 1-5 fps, CH: 5 fpsOther power sources - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: 1.

2x; CL: 1-5 fps, CH: 5 fps - Image area: DX; CL: 1-5 fps, CH: 6 fps Self-timer 2 s, 5 s, 10 s, 20 s; 1-9 exposures at intervals of 0.5, 1, 2, or 3 s Exposure Metering TTL exposure metering using 91K (91,000)-pixel RGB sensor Metering method Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12 mm circle in center of frame.

Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame) Spot: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used) Range (ISO 100, f/1.

4 lens, 20 C/68 F) Matrix or center-weighted metering: 0-20 EV Spot metering: 2-20 EV Exposure meter coupling Combined CPU and AI Exposure mode Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) Exposure compensation -5 -+5 EV in increments of 1/3, 1/2, or 1 EV Exposure bracketing 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV Flash bracketing 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV White balance bracketing 2-9 frames in steps of 1, 2, or 3 ADL bracketing 2 frames using selected value for one frame or 3-5 frames using preset values for all frames Exposure lock Luminosity locked at detected value with AE-L/AF-L button ISO sensitivity (Recommended Exposure Index) ISO 100 - 6400 in steps of 1/3, 1/2, or 1 EV. Can also be set to approx.

0.3, 0.

5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx.

0.3, 0.

5, 0.7, 1, or 2 EV (ISO 25600 equivalent) above ISO 6400; auto ISO sensitivity control available Active D-Lighting Can be selected from Auto, Extra high, High, Normal, Low, or Off Focus Autofocus Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors), and AF-assist illuminator (range approx.

0.5-3 m/1 ft 8 in.

-9 ft 10 in.) Detection range -2 -+19 EV (ISO 100, 20 C/68 F) Lens servo Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); predictive focus tracking automatically activated according to subject status Manual focus (M): Electronic rangefinder can be used Focus point Can be selected from 51 or 11 focus points AF-area mode Single-point AF, 9-, 21-, or 51- point dynamic-area AF, 3D-tracking, auto-area AF Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button Flash Built-in flash Manual pop-up with button release and a Guide Number of 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 C/68 F) Flash control TTL: i-TTL flash control using 91K (91,000)-pixel RGB sensor is available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering Flash mode Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; Auto FP High-Speed Sync supported Flash compensation -3 -+1 EV in increments of 1/3, 1/2, or 1 EV Flash-ready indicator Lights when built-in flash or optional flash unit is fully charged; blinks for 3 s after flash is fired at full output Accessory shoe ISO 518 hot-shoe with sync and data contacts and safety lock Nikon Creative Lighting System (CLS) Advanced Wireless Lighting supported with built-in flash, SB-910, SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; built-in flash can serve as master flash in commander mode; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units Sync terminal ISO 519 sync terminal with locking thread White balance White balance Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2500 K-10000 K), all with fine-tuning.

Live View Modes Live view photography (still images), movie live view (movies) Lens servo Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F) Manual focus (M) AF-area mode Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF Autofocus Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) Movie Metering TTL exposure metering using main image sensor Frame size (pixels) and frame rate 1,920 x 1,080; 30 p (progressive), 25 p, 24 p1,280 x 720; 60 p, 50 p, 30 p, 25 pActual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.

97, 25, and 23.976 fps respectively; options support both high and normal image quality File format MOV Video compression H.

264/MPEG-4 Advanced Video Coding Audio recording format Linear PCM Audio recording device Built-in monaural or external stereo microphone; sensitivity adjustable Movie options Index marking, time-lapse photography Monitor Monitor 8-cm/3.2-in.

, approx. 921k-dot (VGA) TFT LCD with 170 viewing angle, approx.

100% frame coverage, and automatic monitor brightness control using ambient brightness sensor Playback Playback Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, highlights, histogram display, auto image rotation, and image comment (up to 36 characters) Interface USB SuperSpeed USB (USB 3.0 Micro-B connector) HDMI output Type C mini-pin HDMI connector; can be used simultaneously with camera monitor Audio input Stereo mini-pin jack (3.

5mm diameter) Audio output Stereo mini-pin jack (3.5mm diameter) Ten-pin remote terminal Can be used to connect optional remote control, GP-1 GPS unit, or GPS device compliant with NMEA0183 version 2.

01 or 3.01 (requires optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector) Supported languages Supported languages Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian Power source Battery One rechargeable Li-ion EN-EL15 battery Battery pack Optional MB-D12 multi-power battery pack with one rechargeable Nikon EN-EL15 Li-ion battery or eight AA alkaline, Ni-MH, or lithium batteries.

AC adapter EH-5b AC adapter; requires EP-5B power connector (available separately) Tripod socket Tripod socket 1/4 in. (ISO 1222) Dimensions/weight Dimensions (W x H x D) Approx.

146 x 123 x 81.5 mm (5.

7 x 4.8 x 3.

2 in.) Weight Approx.

1,000 g (2 lb 3.3 oz) with battery and SD memory card but without body cap; approx.

900 g/1 lb 15.7 oz (camera body only) Operating environment Temperature 0-40 C (+32-104 F) Humidity Less than 85% (no condensation) Supplied accessories Supplied accessories EN-EL15 rechargeable Li-ion battery with terminal cover, MH-25 battery charger (AC wall adapter supplied only in countries or regions where required), Strap (AN-DC6 for D800, AN-DC6E for D800E), UC-E14 USB cable, USB cable clip, BF-1B body cap, BS-1 accessory shoe cover, BM-12 monitor cover, ViewNX 2 installer CD (less)