The revolutionary, new mirrorless camera, the OM-D, has an exceptionally light and compact body. Its Electric View Finder enables photographers to check the Art Filter effect, color temperature, and exposure levels in real-time.

When shooting, you can instantly "create" a truly unique world and preserve it in exceptional quality. The "world" will be transformed from something you see to something you "take part" in.

The OM-D is a groundbreaking, new digital interchangeable lens camera perfect for people who want to "take part," "create," and "share." ELECTRONIC VIEWFINDER A Viewfinder with Creative Control that Immerses You in Your Photos Enter the world of the viewfinder for complete control of your photos and total immersion in the shots you take.

With high definition of 1.44 million pixels, an approx.

100% field of view, and a maximum magnification of 1.15x, the viewfinder shows the scenes you want to capture exactly the way they appear.

All functions needed to create a photo can be checked and set through the viewfinder, including highlight & shadow control, for adjusting gradation of brighter and darker areas to your exact taste, white balance control, enabling creative control over a scene, as well as aspect ratio change. The OM-D offers a built-in magnified frame AF function enabling accurate focusing with the subject magnified.

Thanks to the eye sensor, the system switches the view from the back monitor to the viewfinder automatically when you look into it. The viewfinder provides a natural image for full creative control and excellent visibility in bright sunlight in comparison to the back monitor.

It also offers an interface displaying key information in an easily understandable way as well as the limitless ease of use that can only be offered by an electronic viewfinder. Frame your shot, make settings quickly with the dials and view the world through the viewfinder in your quest for the perfect photo.

To look into this viewfinder is to look into the world of the photograph. This is the concept behind the new OM-D viewfinder.

Highlight & shadow control Control highlights and shadows while looking into the viewfinder. Because settings can be applied while viewing the effect in real-time, bright and dark details can bequickly and easily adjusted.

Control of highlights and shadows can each be set in 7 steps. White balance control White balance control is an essential feature for creating the photos you desire.

You can produce the exact effects you want by setting the white balance according to your own tastes without taking your eye away from the viewfinder. Magnification control The OM-D can display magnified subjects so that you can more accurately control the focus.

The available zoom magnifications are 5x, 7x, 10x, and 14x. This feature can be assigned to the Fn2 button to let you switch instantaneously between magnified and normal images, meaning that you can focus precisely on the subject as well as check the overall photo composition without taking your eye away from the camera.

Aspect Ratio Change While looking into the viewfinder, the user can change the photo aspect ratio to match the desired image. Five aspect ratio options are available: a basic 4:3 aspect, a movie-like 16:9 aspect, a square 1:1 aspect, the same 3:2 aspect as used by 35 mm film cameras, and a 3:4 aspect that allows a vertical shot without having to turn the camera.

HIGH QUALITY IMAGE The Most Visually Stunning Supported by Three Technologies Introducing a new standard that will redefine the concept of high image quality for digital interchangeable lens cameras. Three elements provide this image quality: the lens, the image sensor and the image processor.

M.ZUIKO DIGITAL lenses are optimized for digital photography while still inheriting the superior optical performance of ZUIKO lenses.

The new 16M Live MOS sensor boasts 16,050,000 pixels, high sensitivity and high dynamic range, while the TruePic VI image processor accurately reproduces saturation and contrast to maximize lens and image sensor performance. Thanks to this combination of cutting edge technologies, the OM-D offers unparalleled definition and the highest image quality in the history of OLYMPUS.

Fine details even in shadows, precision high definition, rich gradation and true-to-life color reproduction allow the world to be captured vividly through the lens, enabling the OM-D to render the user's inspiration in all situations. This quantum leap in image quality marks a new era in the history of interchangeable lens cameras.

16M new Live MOS sensor The new 16-megapixel image sensor delivers even higher definition and even greater dynamic range. Thanks to its high sensitivity of up to ISO 25600, as well as significantly lower noise, you can now capture light and shadow in unprecedented clarity.

TruePic VI image processor High image quality is supported by the TruePic VI image processor, the most advanced image processor from OLYMPUS. It renders natural images close to what is seen with the naked eye.

Fine Detail Processing minimizes loss of resolution while preventing false colors or moir, Real Color Technology accurately reproduces rich gradation colors, and Advanced Gradation Auto prevents colors from being washed out in highlights and being darkened in shadows. M.

ZUIKO DIGITAL lenses Built for the Micro Four Thirds System standard, the ultra-compact M.ZUIKO DIGITAL lenses inherit the long-admired qualities of ZUIKO lenses.

Designed specially for digital cameras, these lenses enable light to travel in a near-straight path to the image sensor to optimize performance and ensure high-quality photos. FAST AF Even Faster.

Even More Accurate. Capture the Instant with the World's Fastest* AF.

The shutter button responds so fast it's as if it already knows the instant you want to shoot. The FAST AF system represents the pinnacle of Olympus AF technologies.

Further improvements in speed have achieved the world's fastest AF* that outperforms even phase difference AF systems. The performance of the tracking AF has also been greatly improved.

With 3D tracking AF technology that follows a moving subject by detecting face, color and pattern, and by predicting its movement, the AF system can continue to focus on a subject that is moving across a wide area until it leaves the frame. This means that whether the subject is a person, animal, vehicle, or any other fast-moving object, you will never lose the instant.

The new high-sensitivity image sensor delivers outstanding AF performance even in dark situations, and combined with the 35-point area AF that covers the entire screen, focusing is accurate in all situations. Capturing the moment is the true essence of photography and the OM-D's AF has been finely tuned for faster and more accurate focus.

This advancement will provide you with more opportunities to take the photos that you want. 3D tracking AF The OM-D utilizes a feature that can not only predict the movement of a subject when it is moving across the frame but also when it is moving forward and backward within the frame.

The 3D tracking AF system then keeps the lens focused accurately on the subject even if it moves closer to or away from the camera. In the instant when focus is set, the face, color and pattern of the subject are detected.

Once the autofocus locks onto the subject, it will continue to track the subject automatically until it leaves the frame. 35-point area AF 35 AF areas can be selected.

Compared with phase difference autofocus, this is compatible with a broader range and enables more accurate pinpoint focusing. It is also possible to select an area consisting of a 3x3 group from the 35 areas.

AF at low light The high sensitivity of the OM-D's sensor allows stable AF performance even in dark conditions. In combination with a high speed lens, it is possible to achieve further improvements to the AF under low intensity light.

Thanks to the brightness of the electronic viewfinder, you can also focus on your subject through the viewfinder even in dark situations. 5-AXIS IS The World's First* 5-Axis In-Body Image Stabilization While most previous IS systems compensate for camera shake by addressing two kinds of movement along only 2 axes, the image stabilization system on the OM-D is the world's first*1 to compensate for 5 different types of camera shake.

In addition to compensation for ordinary camera shake in 2 directions (pitch and yaw), it also provides compensation for camera shake in rolling and camera shake due to the up-down shift and left-right shift that is often caused during macro shooting. The sensor in the top of the camera instantly detects camera shake, and the newly developed 5-axis image stabilization unit provides up to 5 steps*2 of compensation.

Additionally, the new control algorithm works to compensate for camera shake at low frequency, which is often caused when the camera is held for longer periods of time. It also stabilizes movies, even when shooting while walking.

Because the IS system is built into the body, it is effective regardless of which lens is used. The OM-D's IS system helps you to focus on a subject, and because it is activated at the moment when the shutter button is half-way pressed*3, you can determine the photo composition while viewing a stabilized image.

Get exactly the photo you wanted, even when shooting impulsively to capture an impromptu moment. The OM-D's IS system lets you concentrate fully on framing and capturing your shot.

New 5-axis IS unit The new IS unit compensates for camera shake in 5 axis directions: (1) up-down (pitch), (2) left-right (yaw), (3) left-right horizontal shift, (4) up-down vertical shift, and (5) rolling camera shake. Compensation is provided for camera shake which could not be compensated with conventional 2-axis IS systems, including horizontal and vertical shift and rolling camera shake which is particularly noticeable in movies.

Various Functions DUST & SPLASH PROOF Dependable OM-D Performance in Any Environment or Weather The scenes which capture a photographer's imagination are often in nature. The OM-D's dust and splash proof construction supports nature photography as well as shooting in severe environments.

The Olympus dust & splash proof construction has earned the complete trust of many photographers. Thanks to extensive use of ring-shaped seals throughout the body, the OM-D offers the same dust & splash proof durability as the E-5 within a compact and light-weight body.

From normal shooting in the rain to more extreme environments, the OM-D lets you focus on shooting by protecting the camera against sand, dust, rain and splashes. As well as the camera body, the external flash, FL-LM2 (included), electronic zoom lens, M.

ZUIKO DIGITAL ED 12-50mm f3.5-6.

3 EZ and power battery holder, HLD-6 (optional) are also dust and splash proof so that the entire system offers a high level of durability, allowing you to use the camera's wide range of features anywhere. Whether you intend shooting on a rainy street, by a mountain waterfall or on a blustery day by the sea, you can carry the camera with you wherever you go and concentrate fully on framing the perfect shot.

It is OM-D's dust & splash proof construction that lets you get the most out of its outstanding performance in a broad range of situations. 9.

0 High Speed Sequential Shooting The OM-D allows high speed sequential shooting at up to 9.0 frames per second.

The newly developed high-speed readout image sensor and compact high-performance shutter as well as the high-speed TruePic VI image processor provide amazing sequential shooting speed. Thanks to the OM-D's 3D Tracking technology, you can now shoot up to 4.

2 frames per second with tracking AF when shooting sports, animals or other subjects which are moving within the frame. With this function, you can be sure of capturing the instant that inspired you.

The OM-D offers incredibly fast sequential shooting capabilities within a compact and lightweight body. Tilting OLED Monitor / Touch Panel / Live Guide Tilting OLED Monitor The 3.

0-inch tilting OLED monitor on the back of the body provides a wide range of color reproduction and high contrast levels to produce beautiful photographs that represent exactly the image you wanted to capture. The monitor can be tilted upward to 80 degrees and downward to 50 degrees, providing you with a high level of freedom and flexibility both for high-angle and low-angle shooting.

Thanks to a screen that reduces reflections, the monitor also offers clear visibility even when shooting outdoors. Touch Panel The OM-D has a capacitive touch panel that supports superior photo-taking performance however the user wants.

In addition to operations using the dials and buttons, by simply touching the panel with the fingertips, you can operate a wide range of functions intuitively. Whether focusing on the subject, changing shooting parameters, zooming in on an image you have already taken, or playing back images frame by frame, the panel responds instantly to the movement of the fingertips and allows the user to expertly utilize a variety of functions with ease.

Live Guide The Live Guide allows the user to easily produce blurring of the background, expressions of movement, and other effects that are characteristic of an interchangeable lens camera. It can be easily and intuitively operated by selecting iAuto and moving the slide bar to produce exactly the image that is desired.

The Live Guide can also be activated instantly in P/A/S/M modes by pressing the button*1. The live guide is a function that lets users easily make best use of the superior OM-D performance.

*1: Customizable functions 11 types of Art Filters The original OLYMPUS Art Filters add artistic effects to photos and movies. These must-have features add style to your images and have been further improved for the OM-D.

A Key Line Art Filter which enhances the edge lines of the image to make it look more like an illustration has been included and a total 11 types of Art Filters are selectable. With variations of the Cross Process and Dramatic Tone Art Filters and combinations of Art Effects, the OM-D offers a total of 78 effects.

These filters can be applied to not only still photos but also movies, and because you can see the results through the viewfinder as you shoot, you can use these filters creatively to add a broad range of expressions to your photos. 11 types of Art Filters 5 types of Art Effects The art effects add impressive creative looks to the Art Filters.

The OM-D has 5 types of effects: Soft focus, Pin Hole, Art Frame, White Edges, and Starlight. Using these effects in combination with the Art Filters provides you with further inspiration to create outstanding images.

Full High Definition Movies The OM-D supports full high-definition (1920 x 1080 pixels) for more beautiful movies. The superior definition performance of the OM-D produces a large improvement in movie quality.

The built-in image stabilization system is able to compensate for camera shake at low frequency as well as rolling camera shake. Because the stabilization system compensates for these types of camera shake which often occur when the camera is gently moved, the OM-D offers powerful support for shooting movies while walking.

A range of lenses can be used to make use of the distinctive expressive power of an interchangeable lens camera. The Art Filters and newly developed movie effects can also be used to incorporate a variety of expressive effects into movies that make them more fun.

Additionally, high-quality stereo audio can be recorded in linear PCM format. Art Filter Movies Using the Art Filters allows you to create dramatic and distinctive movies.

The filter effects can be checked on in the viewfinder and on the back monitor, making it possible to create a diverse range of expressions. Rather than merely taking movie footage, you can create movies that are bursting with style and expression.

This is what makes the OM-D's movie functions so much fun to use. * The frame rate, the recorded audio and the availability of Art Effects vary according to the movie format and the Art Filter in use.

One Shot Echo / Multi-Echo The One shot echo and Multi-echo functions have been added to the effects that can be applied to your movies, allowing you to create lighthearted videos that have more fun in them. These two new functions generate an after-image effect that follows the movement of the subject.

With one shot echo, the after-image is added to single frame at a fixed interval, while with multi-echo, multiple frames remain behind as the after image. You can apply these effects to easily create after-images in full high definition movies, an impressive effect which previously could only be done by using video editing software.

Built-in Stereo Microphone The high-performance built-in stereo microphone enables you to shoot movies with high-definition sound. By selecting the "Wind noise reduction" function from the movie menu, you can reduce the noise caused by the wind when shooting.

This makes it possible to shoot movies with clear audio. As the OM-D is also equipped with a "Recording volume" option, the sensitivity of the microphone can be set according to the distance from the subject.

i-Enhance Movies The i-Enhance picture mode adds a sense of vivid realism to your photographs, and this feature can now be used for movies, too. By simply setting the shooting mode to "iAuto" or selecting "i-Enhance" as the picture mode, the camera will record the movie with the optimal colors and contrast for the subject, producing clear, vivid image quality that makes for exciting movies.

Live Bulb / Live Time For bulb photography where the shutter is left open for continuous exposure over a long period of time, this function updates the image shown on the monitor at each set interval of time. Two settings are available: Live Bulb which keeps the shutter open while the release button is held down, and Live Time which opens the shutter the first time the release button is pressed and closes the shutter the second time the button is pressed.

This function is effective at times such as when shooting fireworks, the night sky, or nighttime cityscapes. Bracket Shooting The Art Filter bracket allows the effects from multiple Art Filters to be used in a single image.

By selecting multiple Art Filters when shooting, the effects of each of the filters can be applied to the image. You may find that applying multiple effects can produce unexpected but interesting results.

This function also allows AE, ISO, white balance and flash bracket shooting. Level Gauge The bi-directional electronic level gauge supports both camera shift and camera tilt, and can be displayed on either the viewfinder or back monitor using the Live View.

By taking advantage of this feature, you can shoot with stable framing when photographing a subject dead straight or if when shooting the horizon. Aperture and shutter speed as well as other key information can also be displayed at the same time that the level gauge is used.

Before Adjustment AF with Eye Detection The Eye Detection AF automatically focuses on the eyes of a human subject, and is a powerful tool for portrait photography. With improvements in accuracy, it is possible to detect the eyes easily even when taking a chest-up portrait.

This function automatically focuses on the closest eye, or you can also select Left eye priority or Right eye priority to easily focus the camera on the eye of the subject you want to focus on. Digital Tele-converter When assigned to the Fn1 button, the digital tele-converter function produces a telephoto effect which magnifies the center part of the image by two times.

The excellent pixel interpolation performance of the TruePic VI image processor makes it possible to zoom while maintaining high image quality. Using this function allows a 75 - 300 mm super-telephoto lens to provide a zooming range equivalent to 1200 mm on 35 mm camera lenses, making it easy to achieve high magnification.

Degital Teleconverter Shooting The OM-D includes the i-Enhance picture mode which vividly reproduces the sense of presence when the image is taken. This function is selected automatically when "iAuto" is selected.

It can also be selected from other picture modes. The camera selects the optimal color and contrast in order to provide clear, vivid, and exciting image quality that highlights the subject.

Multiple Exposure Multiple exposure shooting allows two images to be combined while checking the results on the Live View. This function can be used to easily create surreal images.

The first image is displayed semi-translucent as the overlaying image is shot, so you can effortlessly determine the composition. Because two images can be superimposed at one time, by repeating this process it is possible to superimpose any number of images.

3D Photography Impressive 3D images can be taken by simply following the guide instructions. Select "3D" for the scene mode, and take two images following the guide displayed on the back monitor using the Live View.

The camera will then automatically create and save a 3D file (MPO format). The created image can be shown on a TV or PC that has a 3D display function.

The camera also supports a 3D lens. * 3D pictures can be viewed on a 3D-compatible PC or TV by playing them back on the camera via an HDMI connection or USB connection, or by playing them back from an SD card.

Shooting Modes In addition to the "P/A/S/M modes", the shooting modes also include iAuto, in which the camera automatically selects one out of a total of 42 types of settings, and SCN, which consists of 23 different scene modes. With the e-Portrait scene mode, the image is processed to produce a bright, smooth effect for the subject's skin, resulting in a beautiful portrait photograph.

* The processed image is saved only as a 2560 x 1920 pixel image. * This function may be ineffective with certain subjects.

Specification Product Type Product type Micro Four Thirds interchangeable lens system camera Memory SD Memory Card*1(SDHC, SDXC, UHS-I compatible, Eye-Fi Card compatible*2) *1. Class 6 or higher is recommended for Movie shooting *2.

Not compatible with Endless Memory. Screen size 17.

3 x 13.0 mm Lens mount Micro Four Thirds Mount Image Pickup Unit Product type 4/3 Live MOS Sensor Number of pixels Number of effective pixels : Approx.

16.1 million pixels Total number of pixels : Approx.

17.2 million pixels Aspect ratio 1.

33 (4:3) Dust reduction Supersonic Wave Filter (dust reduction system for image sensor) Recording(Still) Recording format DCF, DPOF compatible / Exif, PRINT Image Matching III, MPO compatible File format RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO(3D still) Recording image size [RAW] 4608 x 3456 pixels [JPEG] 4608 x 3456 pixels - 640 x 480 pixels Image Stabilization System Type Built-in (Image sensor shift type for movie & still, 5-axis*image stabilization) * yaw/pitch/vertical shift/horizontal shift/rolling Mode 3 modes (IS1, IS2, IS3), OFF IS for finder image Available (by half-pressing the shutter button) Focal length setting Available Electronic Viewfinder Finder type Eye-level electronic viewfinder, approx. 1.

44M-dot Field of view Approx. 100% Viewfinder magnification Approx.

0.92x*1- 1.

15x*2(-1m-1, 50mm lens, Infinity) *1 at Finder Style 1, 2 (aspect 4:3) *2 at Finder Style 3 (aspect 4:3) Eye point Approx. 18mm (-1m-1, Distance from rear lens surface) Diopter adjustment range -4 ~ +2m-1 Preview Available with Live Preview function button [custom function] Displayed Grid Off / Normal Grid / Golden Grid / Scale / Diagonal / Movie Grid selectable Level Gauge 2-axis level gauge; horizontal /vertical Finder Style Selectable from 3 types Brightness 7 levels Colour temperature control 7 levels EyeCup Optional eyecup EP-11 is available.

Live View Type Image Sensor (High Speed Live MOS) type Field of view Approx.100% Display Mode Normal Mode, Grid Line Mode(4 types), Histogram Mode, Magnified View Mode, OFF Magnification Ratio x5, x7, x10 (Default), x14 Monitor information Aperture value, Shutter speed, Auto Bracket, AE Lock, AF mode, IS, Shooting Mode, Battery Check, Myset, Internal Temperature Warning, Face / Eye Detection, Histogram, Number of storable still pictures, Record mode, ISO, Sequential shooting, Self-timer, White Balance, Metering Mode, AF confirmation mark, Exposure Compensation Value, Spot metering Area, Flash Mode, Flash Status, Flash intensity Control, Super FP, Focusing length, Tone control, Eye-Fi condition Display of Face Detection Max 8 frames of face detection can be displayed.

Monitor Monitor type Tilt type*OLED monitor / Touch control (Touch shutter release, Touch enlargement, Touch Live Guide, AF area selection, AF area enlargement, Frame advance/backward, Enlargement playback, Touch Super Control Panel) * Upward tilting angle : up to 80 degrees / Downward tilting angle : up to 50 degrees Size 3.0 inches Total no.

of pixels Approx. 610k dots(3:2) Brightness control / Color balance 2 levels / - Color temperature 3 levels Color tone select VIVID / NATURAL Focusing AF system High-speed imager AF Focus mode Single AF (S-AF) / Continuous AF (C-AF)* / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR)* * C-AF and AF tracking are not available with non-mFTS lenses.

It works as S-AF in C-AF mode. Full-time AF Available Magnified frame AF Selectable from over 800 AF points Enlarged view check by magnify button (available with old lenses*) Magnification x5, x7, x10(Default), x14 selectable * old lenses without data communication Face detection AF / Eye detection AF Available / Available (Eye Detection AF mode : OFF / Nearer-eye priority / Right-eye priority / Left-eye priority) Focusing point 35-area multiple AF Focusing point selection All target, Group target area (9-area), Single target AF illuminator Available Manual Focus Assist * Customize function Live view image is magnified when the focus ring is rotated.

(at S-AF+MF or MF mode) Exposure Control (Still) Metering system (TTL Image sensor metering) Digital ESP metering (324-area multi pattern metering), Center weighted average metering, Spot metering, Spot metering with highlight control, Spot metering with shadow control Metering range EV 0 - 20 (at normal temperature, 17mm f2.8, ISO 100) Exposure mode i Auto, P: Program AE (Program shift can be performed), A: Aperture priority AE, S: Shutter priority AE, M: Manual, Bulb, Time, Scene select AE, Art Filter, Underwater wide / macro* * Selectable from menu as a function on Fn-1/Rec button Scene select AE Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Conv.

, Wide Conv., Macro Conv.

, 3D* * Still image only ISO sensitivity AUTO: ISO 200 - 25600 (customizable, Default 200-1600) / Manual ISO 200 - 25600, 1/3 or 1 EV steps selectable Exposure compensation 3 EV in 1/3, 1/2, 1 EV steps selectable AE lock Locked at 1st release of shutter button (can be set to Fn1/Rec button) Shutter Product type Computerized focal-plane shutter Shutter speed 1/4000 - 60 sec. (1/3, 1/2, or 1EV steps selectable.

) Bulb: default setting 8min. (1/2/4/8/15/20/25/30 min.

selectable.) Flash Built-in flash No.

Special external flash is bundled. Bundled flash FL-LM2 G.

No GN=10(ISO200•m) / GN=7(ISO100•m) Flash mode Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.

(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64) Synchronization speed 1/250sec.

or less* * It depends on flash models or flash mode FL-LM2: 1/250 sec., FL-50R: 1/180 sec.

, Exept FL-50R: 1/200 sec., Super FP: 1/125-1/4000 sec.

Flash intensity control Up to 3 EV in 0.3, 0.

5, 1 EV steps selectable Compatible external flash FL-50R, FL-36R, FL-14, FL-300R, FL-600R Wireless flash control Compatible external flash FL-50R, FL-36R, FL-300R, FL-600R Control method Triggered and controlled by bundled flash FL-LM2* * Available on FL-LM1/ FL-600R. (Olympus Wireless RC Flash system compatible) Number of channel 4 channels Group setting 4 groups (External flash 3 groups + a bundled flash)* * Available on FL-LM1/2 / FL-600R Drive Drive mode Single-frame shooting, Sequential shooting, Self-timer Sequential shooting speed [Sequential shooting H mode] 9.

0 fps (in case of "I.S.

Off")* Focus and exposure are fixed at the values for the first shot. [Sequential shooting L mode] 3.

5 fps / 4.2fps * When using the M.

ZUIKO DIGITAL ED 12-50mm f3.5-6.

3 EZ Max. recordable pictures on sequential shooting [RAW] Max.

20 frames (in seq. shooting L / 4fps), Max.

15 frames (in seq. shooting H / 9fps) [JPEG] Max.

70 frames (in seq. shooting L / 4fps), Max.

19 frames (in seq. shooting H / 9fps) * When using the M.

ZUIKO DIGITAL ED 12-50mm f3.5-6.

3 EZ. * With TOSHIBA SDHC UHS-I card R95-W80 8GB model, based on Olympus in-house measurement conditions.

Self-timer Operation time: 12 sec., 2 sec.

(cancel available) Bracketing Exposure bracketing 2, 3 or 5 frames in 0.3/0.

7/1.0EV steps selectable, 7 frames in 0.

3/0.7EV steps selectable ISO bracketing 3 frames in 0.

3/0.7/1.

0EV steps selectable White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis. Flash bracketing 3 frames in 0.

3/0.7/1.

0EV step selectable Art Filter bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters selectable Art Filter Mode Pop Art (I/II), Soft Focus, Pale & Light Color (I/II), Light Tone, Grainy Film (I/II), Pin Hole (I/II/III), Diorama, Cross Proscess (I/II), Gentle Sepia, Dramatic Tone (I/II), Key Line (I/II) Variation / Effect Available Recording(Movie) Recording format MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG) Movie Mode [MOV] Full HD : 1920(H)x1080(V), 30p(29.

97fps) Recording 20Mbps(Fine) / 17Mbps(Normal), Aspect 16:9 HD : 1280(H)x720(V), 30p(29.97fps) Recording 13Mbps(Fine) / 10Mbps(Normal), Aspect 16:9 [AVI] HD : 1280(H)x720(V), 30fps*, Aspect 16:9 SD : 640(H)x480(V), 30fps*, Aspect 4:3 * Except for some of the Art Filters Maximum Recording Time [MOV] Max29min(Full HD Normal/HD Fine/HD Normal : 29min, Full HD Fine : 22min) [AVI Motion-JPEG] HD: 7min, SD: 14min (Some Artfilters are exceptional) IS for Movie Built in (Image sensor shift type image stabilization), IS1.

mode only File Size MOV : Max 4GB / AVI Motion-JPEG : Max 2GB Recording(Sound) Recording format Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) Microphone/Speaker Stereo/Mono Maximum Recording Time Picture with Sound: 30sec / Movie: depend on Movie Recording Time White Balance White Balance mode Auto WB, 7 Preset WBs, 2 Capture WBs, Custom WB(Kelvin setting) Preset white balance 7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K) White balance compensation 7 steps in each A-B/G-M axis * Except for Custom WB Color Mode sRGB, Adobe RGB Picture Mode Mode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters Gradation Auto, Normal, High Key, LowKey [except fot Art Flters] Multi Exposure Number of picture 2 frames Functions Auto gain, Exposing on Recorded picture(RAW) Multi Aspect 4:3(Default) / 3:2 / 16:9 / 1:1 / 3:4 Level Gauge 2-axis One push Tele-converter x2 Playback Playback mode Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x - 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto), Slideshow*(with BGM/BGM+Sound/Sound) * Slideshow : Still/Movie/Still+Movie, When a camera is connected to HDTV with HDMI cable, 3 new slideshow effect can be selectable.(Still) Information display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF Menu 34 languages selectable - English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai Print Print reservation (DPOF), Direct print (PictBridge compatible) Input/Output USB/Video connector Dedicated multi-connector [USB: USB2.

0 Hi-Speed, Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 can be used.] HDMI connector Micro HDMI (Type-D) Flash attachment Hot shoe Accessory attachment Accessory port 2 (Dedicated multi-connector [Available for VF-2/VF-3, SEMA-1, MAL-1 and PP-1.

]) PC interface USB 2.0 High Speed TV interface HDMI (HD/Stereo Sound), VIDEO-OUT(SD/Mono Sound) DC-in - [Optional Power Battery Holder HLD-6 has DC-IN jack for AC-3.

] Power Requirements Battery BLN-1 Li-ion battery (included) Power battery holder Power Battery Holder HLD-6 / BLN-1(Optional) AC adaptor AC adapter AC-3(Option)*Optional HLD-6 has DC-IN jack for AC-3. Sleep mode Available (1/3/5 min.

off selectable) No. of recordable pictures Approx.

360 shots (with BLN-1 and Toshiba Super High speed Class 6(4GB) SDHC card under CIPA testing standard) Dimensions/Weight Dimensions 121 x 89.6 x 41.

9mm (excluding protrusions) Weight Approx. 425g (including Battery and Memory card) / Approx.

373g (body only) Operating Environment Temperature 0 - 40C (operation) / -20 - 60C (storage) Humidity 30 - 90% (operation) / 10 - 90% (storage) (less)

3 megapixels and the EXPEED3 image-processing engine, the D800 is your ideal professional camera. Designed for versatility and high performance, this D-SLR is equipped to handle massive amounts of data with ultra-fast speed.

D800 also offers superior image quality and supports ISO sensitivities from 50 to 25600. In addition, videos can be filmed in FX- and DX-based movie formats, creating true cinematic experiences.

For those who are seeking extraordinary details in their images, the D800E was specially built to create the sharpest shots by disabling the aliasing and moir pattern reduction operation performed by the optical low-pass filter. Newly developed Nikon FX-format CMOS sensor with 36.

3 effective megapixels The D800/D800E employ a Nikon FX-format CMOS sensor (35.9 x 24.

0 mm) with 36.3 effective megapixels, the world's highest number*.

It renders texture, nuances and details equivalent to those a high-end medium format camera can deliver. Advanced Scene Recognition System with enhanced accuracy realized by 91K-pixel RGB sensor Advanced Scene Recognition System realizes face detection during optical viewfinder shooting.

It achieves highly accurate control of auto functions such as AF, AE and AWB utilizing face detection information and detailed scene analysis information. Multi-area mode Full HD D-Movie that enables a variety of expressions in two formats It is possible to record 1,920 x 1,080/30p Full HD and HD movies in either of two formats that are FX- and DX-based.

You can select the format according to your creative intentions. Wide sensitivity range of ISO 100 to 6400, expandable to Lo 1 (ISO 50 equivalent) or Hi 2 (ISO 25600 equivalent).

Further improved high-speed, multifunctional, high-performance image-processing engine EXPEED 3. 51-point AF system with enhanced performance in subject acquisition and focusing in low-light situations.

Glass pentaprism viewfinder with approx. 100% frame coverage (FX format) and approx.

0.7x magnification.

Approx. 921k-dot, wide-viewing angle, 8-cm (3.

2-in.) LCD monitor with reinforced glass and automatic monitor brightness control.

Newly developed shutter unit tested for over 200,000 cycles; shutter speed up to 1/8,000 s and flash synchronization up to 1/250 s. Continuous shooting at approx.

4 fps* (FX, 5:4) and approx. 5 fps* (1.

2x, DX). *With EN-EL15 Rechargeable Li-ion Battery.

MB-D12 Multi-Power Battery Pack (optional) that enables high-speed continuous shooting at approx. 6 fps* in DX format.

*When using batteries other than EN-EL15 Recharge The D800E is a unique alternative that realizes the sharpest images possible. [NEW] Nikon FX-format CMOS sensor with 36.

3 effective megapixels The D800/D800E render levels of texture, nuance and detail to your photography that, until now, have been the exclusive domain of the complicated medium-format system. Define every eyelash, every line in tree bark, and every shimmer of light.

Savor the exceptional depth in your still images — with the astounding 36.3 effective megapixels, the world's highest*, you can.

Enlarge them as big as A1 poster-sized prints (59.4 x 84.

1 cm/23.4 x 33.

1 in.) at 200 dpi, or crop aggressively to reach the composition you desire, all without sacrificing the detail and tonal range of the original.

In order to maintain clean, high-resolution images, 14-bit A/D conversion within the sensor and a high signal-to-noise ratio deliver phenomenal images in a diverse array of situations. The image sensor's incredible potential does not stop with photography, either.

For cinematographers ready to put their exceptionally sharp NIKKOR lenses into action, the D800/D800E's 36.3 effective megapixel data is efficiently processed for exquiste 1080p broadcast quality video at 30p.

*As of February 7, 2012, among interchangeable lens digital SLR cameras employing an image sensor of 35mm film size. Standard ISO 100 to ISO 6400, range expandable to ISO 50 to 25600 equivalent High-resolution, studio-quality images shouldn't be restricted to the studio.

The D800/D800E set a new benchmark for high-resolution D-SLR cameras, with crisp clean images across a wide ISO range. Flexibility like this opens up new imaging opportunities for both still photographers and cinematographers alike during the "magic hour", the time just before dawn or at dusk when available light is often beautiful but scarce.

Even at high ISO settings, the camera's intelligent noise reduction systems manage noise without sacrificing fine details, giving the D800/D800E the edge. The difference can even be seen in low-contrast subjects such as hair and grass textures, which are often essential elements of cinema as well as high-resolution portraits and landscape images.

High image quality at higher ISOs also means that you can shoot still images handheld more confidently, knowing that fast shutter speeds will reduce blur. A strategic approach to turn light to your advantage Combining both high-resolution performance and a wide ISO sensitivity range has finally become a reality.

Nikon engineers have developed intelligent new methods to manipulate light transmission to the sensor's photodiodes: from the optical low-pass filter and on-chip gapless micro lenses to the image sensor's internal design, every measure has been taken to maximize and improve light transmission in order to deliver crisp, brilliant images with significantly less noise. All this is possible under a wide variety of lighting conditions, enabling you to get the most out of your NIKKOR lenses.

Optical low-pass filter optimized for sharpness on the D800 Reducing false color and moir is the main job of the optical low-pass filter located in front of the image sensor. However, this benefit is generally gained with a small sacrifice of sharpness.

Moir occurs in scenes containing repetitive details, such as strong vertical lines in architecture. Finding the right balance between benefits and sacrifices is the key to higher image quality, and that is what the D800's optical low-pass filter delivers.

As a result, the astounding 36.3 megapixels unleash their potential through an optimized balance between sharpness and effectively prevented moir and false color.

Furthermore, the multi-layer structure of the D800 low-pass filter utilizes layers of antireflective coating that have been optimized for the camera, contributing to sharper and clearer images. The ultimate attention to detail — the D800E Nikon engineers have developed a unique alternative for those seeking the ultimate in definition.

The D800E incorporates an optical filter with all the anti-aliasing properties removed in order to facilitate the sharpest images possible. This is an ideal tool for photographers who can control light, distance and their subjects to the degree where they can mitigate the occurrence of moir.

Aside from the optical filter, all functions and features are the same as on the D800. Note: The D800E carries an increased possibility that moir and false color will appear, compared to the D800.

IR cut and antireflective coating properties of the optical filter remain the same with both versions. Comparison of resolution: D800/D800E have the same resolution of 36.

3 megapixels The D800E reproduces the texture of the stone pavement and twigs with higher resolution than the D800. It allows sharper rendering with depth.

Comparison of false color and moir With the D800E, moir and false color may be noticeable when there are repetitive and fine patterns on a subject such as kimono fabric. To avoid this, it is necessary to take measures, for example, changing the focusing point or shooting distance.

Nikon Integrated Dust Reduction System that includes an Image Sensor Cleaning function Any dust that reaches the image sensor results in unattractive spots on your images. To prevent this, the D800/D800E employ Nikon's Integrated Dust Reduction System, which includes a self-cleaning sensor unit with four different resonance frequencies to vibrate the optical low-pass filter and shake dust away from the sensor.

This function can be set to operate automatically when the camera is turned on or off, or to manual. EXPEED 3 image-processing engine: speed, versatility, and high performance High-megapixel still images are detail-rich but data-heavy.

With the D800/D800E, however, you don't have to sacrifice speed for this privilege. Dedicated to understanding speed and its role in image making, Nikon engineers designed a powerful EXPEED 3 image-processing engine exclusively for digital SLRs.

From image processing and card recording to image playback and image transfer, EXPEED 3 manages massive amounts of data at faster speeds than EXPEED 2. Even with specialized processing features like Active D-Lighting and high ISO noise reduction, capture speed is not affected.

EXPEED 3 is so powerful that it handles data-intensive tasks such as Full HD video recording at 30p with ease. You'll also notice the difference in your still images and videos through minimized noise and even richer colors and tones.

In addition to these fundamental advantages, the D800/D800E reduce the kind of color phase shift that some cameras have difficulty with in similar situations. 14-bit A/D conversion and 16-bit image processing for rich tones and natural colors Tonal gradation is where an image transforms from simply representing life to taking on a life of its own.

The D800/D800E do exactly that, with cutting-edge image processing that injects vital energy into your images. Black is rendered as pitch black, and shadow details are subtle and rich.

Even under harsh, high-contrast light, where some cameras can fail, the D800/D800E's gradation remains smooth with abundant detail and tone all the way up the scale to pure white. Lateral chromatic aberration reduction: Take full advantage of your NIKKOR lens collection High-megapixel sensors can really test the quality of your lenses, but you can be confident that the combination of brilliant NIKKOR lenses and Nikon's intelligent processing measures will significantly reduce lateral chromatic aberration to give you incredibly natural-looking results.

Unlike other correction methods that simply eliminate chromatic aberration, Nikon's method compensates for these color differences in a resolving index for each color, making it particularly effective in producing images with stunning edge-to-edge sharpness. Moreover, because these corrections are made regardless of the NIKKOR lens used, this feature contributes substantially to achieving the sharpest images possible.

Advanced Scene Recognition System with 91K-pixel RGB sensor Nikon's revolutionary Advanced Scene Recognition System, introduced with the flagship D4 camera, is also employed in the D800/D800E. At its core is a 91K-pixel RGB sensor that meticulously analyzes each scene with the fine resolution.

The RGB sensor can recognize your scene's colors and brightness with unprecedented precision, then use that information to implement various automatic controls and give you more natural-looking results. The real breakthrough, however, is that the sensor can detect human faces with startling accuracy when shooting through the optical viewfinder.

Along with face detection, detailed scene analysis is utilized to support more accurate autofocus, auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. The improved subject tracking is most noticeable when using 3D-tracking, which can maintain a focus on moving subjects smaller in size than with previous generations.

More accurate face detection in auto-area AF and subject tracking in 3D-tracking Auto-area AF and 3D-tracking are AF-area modes unique to Nikon that use your subject's color and brightness information to detect focus. With the D800/D800E and their more precise information and subject recognition advancements, expect big steps forward for both AF-area modes when taking high-quality still images.

In auto-area AF, the camera can genuinely detect human faces and focuses on them immediately — useful when faces are a priority and there's no time to choose focus points. When using 3D-tracking, the sensor's fine resolution combines with a specifically optimized AF algorithm to realize unprecedented subject tracking precision, recognizing detailed patterns to keep your subject in sharp focus.

3D color matrix metering III for more accurate exposures Professional photographers who shoot still images know that Nikon's metering system delivers supremely well-balanced exposures. Thanks to the 91K-pixel RGB sensor, the D800/D800E have far more detailed scene information at its disposal — including detected face information.

This data helps the 3D color matrix metering III deliver more desirable auto exposures, especially when there are human faces present. When the D800/D800E detect a human face in a backlit situation, the camera determines the overall exposure while prioritizing the facial exposure, which might otherwise be underexposed.

When a face is lit from the front and appears much brighter than the background, the camera recognizes the situation and avoids blowing out the facial details. More balanced results in i-TTL balanced fill-flash and Active D-Lighting Nikon's i-TTL system has long been considered the most accurate flash control system in photography, but now face detection and highlight analysis by the 91K-pixel RGB sensor pushes performance even further.

With the D800/D800E's enhanced i-TTL balanced fill-flash, you can more precisely illuminate people's faces in relation to their surrounding brightness using either the built-in flash or an external hot-shoed Nikon Speedlight. For weddings and fashion shoots, or any photography that relies on the highest-quality still images, this new standard redefines what a flash system should be.

Face detection also makes a difference when Active D-Lighting is used to retain highlights and shadows in high-contrast lighting situations. Faces will be optimally exposed both in the sun and in the shade.

Light source identification for auto white balance in still images The D800/D800E's auto white balance is incredibly accurate in a diverse range of shooting situations, aided by unique Nikon technology that effectively identifies your light sources, both natural and artificial. With the 91K-pixel RGB sensor and the image sensor working together, the camera renders white as white with supreme accuracy.

Or if you prefer, the auto white balance can be set to reflect the warmth of ambient, incandescent lighting. Contribution to D-Movie shooting The D800/D800E's Advanced Scene Recognition System enhances not only still image shooting but also various controls used in movie shooting.

It identifies light sources and human faces finely, utilizing the high resolution of the image sensor to deliver accurate auto white balance and exposure control during movie shooting, and improves the precision of subject-tracking AF. Furthermore, it automatically detects flicker effects, and controls the exposure to reduce them.

Direct access to Picture Control that enables quick setting Customize the look of your stills and videos through Picture Controls by fine-tuning parameters such as sharpening, saturation, and hue. The D800/D800E now allow you to access Picture Control instantly and directly from a dedicated button rather than entering the menu.

When live view shooting, you can visually confirm how customized Picture Control settings will look and easily adjust the parameters. Specification Type Single-lens reflex digital camera Lens mount Nikon F mount (with AF coupling and AF contacts) Effective pixels Effective pixels 36.

3 million Image sensor Image sensor 35.9 x 24.

0 mm CMOS sensor (Nikon FX format) Total pixels 36.8 million Dust-reduction System Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software) Storage Image size (pixels) FX (36 x 24) image area: 7,360 x 4,912 (L), 5,520 x 3,680 (M), 3,680 x 2,456 (S)1.

2x (30 x 20) image area: 6,144 x 4,080 (L), 4,608 x 3,056 (M), 3,072 x 2,040 (S)DX (24 x 16) image area: 4,800 x 3,200 (L), 3,600 x 2,400 (M), 2,400 x 1,600 (S)5 : 4 (30 x 24) image area: 6,144 x 4,912 (L), 4,608 x 3,680 (M), 3,072 x 2,456 (S)FX-format photographs taken in movie live view: 6,720 x 3,776 (L), 5,040 x 2,832 (M), 3,360 x 1,888 (S)DX-format photographs in movie live view: 4,800 x 2,704 (L), 3,600 x 2,024 (M), 2,400 x 1,352 (S)Note: Photographs taken in movie live view have an aspect ratio of 16 : 9. A DX-based format is used for photographs taken using the DX (24 x 16) 1.

5x image area; an FX-based format is used for all other photographs. File format NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx.

1 : 4), normal (approx. 1 : 8), or basic (approx.

1 : 16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats Picture Control System Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls Media SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards; Type I CompactFlash memory cards (UDMA compliant) Dual card slots Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards. File system DCF (Design Rule for Camera File System) 2.

0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge Viewfinder Viewfinder Eye-level pentaprism single-lens reflex viewfinder Frame coverage FX (36 x 24): Approx.

100% horizontal and 100% vertical 1.2x (30 x 20): Approx.

97% horizontal and 97% vertical DX (24 x 16): Approx. 97% horizontal and 97% vertical 5:4 (30 x 24): Approx.

97% horizontal and 100% vertical Magnification Approx. 0.

7 x (50 mm f/1.4 lens at infinity, -1.

0 m-1) Eyepoint 17 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) Diopter adjustment -3 -+1 m-1 Focusing screen Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid Reflex mirror Quick return Depth-of-field preview When depth-of-field preview button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes) Lens aperture Instant return, electronically controlled Lens Compatible lenses Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC Micro-NIKKOR lenses) and DX lenses (using DX 24 x 16 1.

5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used.

The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster.

Shutter Type Electronically-controlled vertical-travel focal-plane shutter Speed 1/8000 - 30 s in steps of 1/3, 1/2, or 1 EV, bulb, X250 Flash sync speed X=1/250 s; synchronizes with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s) Release Release mode Single frame, Continuous low speed, Continuous high speed, Quiet shutter-release, Self-timer, Mirror up Approximate frame advance rate With EN-EL15 batteries - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: DX/1.2x; CL: 1-5 fps, CH: 5 fpsOther power sources - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: 1.

2x; CL: 1-5 fps, CH: 5 fps - Image area: DX; CL: 1-5 fps, CH: 6 fps Self-timer 2 s, 5 s, 10 s, 20 s; 1-9 exposures at intervals of 0.5, 1, 2, or 3 s Exposure Metering TTL exposure metering using 91K (91,000)-pixel RGB sensor Metering method Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12 mm circle in center of frame.

Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame) Spot: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used) Range (ISO 100, f/1.

4 lens, 20 C/68 F) Matrix or center-weighted metering: 0-20 EV Spot metering: 2-20 EV Exposure meter coupling Combined CPU and AI Exposure mode Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) Exposure compensation -5 -+5 EV in increments of 1/3, 1/2, or 1 EV Exposure bracketing 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV Flash bracketing 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV White balance bracketing 2-9 frames in steps of 1, 2, or 3 ADL bracketing 2 frames using selected value for one frame or 3-5 frames using preset values for all frames Exposure lock Luminosity locked at detected value with AE-L/AF-L button ISO sensitivity (Recommended Exposure Index) ISO 100 - 6400 in steps of 1/3, 1/2, or 1 EV. Can also be set to approx.

0.3, 0.

5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx.

0.3, 0.

5, 0.7, 1, or 2 EV (ISO 25600 equivalent) above ISO 6400; auto ISO sensitivity control available Active D-Lighting Can be selected from Auto, Extra high, High, Normal, Low, or Off Focus Autofocus Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors), and AF-assist illuminator (range approx.

0.5-3 m/1 ft 8 in.

-9 ft 10 in.) Detection range -2 -+19 EV (ISO 100, 20 C/68 F) Lens servo Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); predictive focus tracking automatically activated according to subject status Manual focus (M): Electronic rangefinder can be used Focus point Can be selected from 51 or 11 focus points AF-area mode Single-point AF, 9-, 21-, or 51- point dynamic-area AF, 3D-tracking, auto-area AF Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button Flash Built-in flash Manual pop-up with button release and a Guide Number of 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 C/68 F) Flash control TTL: i-TTL flash control using 91K (91,000)-pixel RGB sensor is available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering Flash mode Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; Auto FP High-Speed Sync supported Flash compensation -3 -+1 EV in increments of 1/3, 1/2, or 1 EV Flash-ready indicator Lights when built-in flash or optional flash unit is fully charged; blinks for 3 s after flash is fired at full output Accessory shoe ISO 518 hot-shoe with sync and data contacts and safety lock Nikon Creative Lighting System (CLS) Advanced Wireless Lighting supported with built-in flash, SB-910, SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; built-in flash can serve as master flash in commander mode; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units Sync terminal ISO 519 sync terminal with locking thread White balance White balance Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2500 K-10000 K), all with fine-tuning.

Live View Modes Live view photography (still images), movie live view (movies) Lens servo Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F) Manual focus (M) AF-area mode Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF Autofocus Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) Movie Metering TTL exposure metering using main image sensor Frame size (pixels) and frame rate 1,920 x 1,080; 30 p (progressive), 25 p, 24 p1,280 x 720; 60 p, 50 p, 30 p, 25 pActual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.

97, 25, and 23.976 fps respectively; options support both high and normal image quality File format MOV Video compression H.

264/MPEG-4 Advanced Video Coding Audio recording format Linear PCM Audio recording device Built-in monaural or external stereo microphone; sensitivity adjustable Movie options Index marking, time-lapse photography Monitor Monitor 8-cm/3.2-in.

, approx. 921k-dot (VGA) TFT LCD with 170 viewing angle, approx.

100% frame coverage, and automatic monitor brightness control using ambient brightness sensor Playback Playback Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, highlights, histogram display, auto image rotation, and image comment (up to 36 characters) Interface USB SuperSpeed USB (USB 3.0 Micro-B connector) HDMI output Type C mini-pin HDMI connector; can be used simultaneously with camera monitor Audio input Stereo mini-pin jack (3.

5mm diameter) Audio output Stereo mini-pin jack (3.5mm diameter) Ten-pin remote terminal Can be used to connect optional remote control, GP-1 GPS unit, or GPS device compliant with NMEA0183 version 2.

01 or 3.01 (requires optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector) Supported languages Supported languages Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian Power source Battery One rechargeable Li-ion EN-EL15 battery Battery pack Optional MB-D12 multi-power battery pack with one rechargeable Nikon EN-EL15 Li-ion battery or eight AA alkaline, Ni-MH, or lithium batteries.

AC adapter EH-5b AC adapter; requires EP-5B power connector (available separately) Tripod socket Tripod socket 1/4 in. (ISO 1222) Dimensions/weight Dimensions (W x H x D) Approx.

146 x 123 x 81.5 mm (5.

7 x 4.8 x 3.

2 in.) Weight Approx.

1,000 g (2 lb 3.3 oz) with battery and SD memory card but without body cap; approx.

900 g/1 lb 15.7 oz (camera body only) Operating environment Temperature 0-40 C (+32-104 F) Humidity Less than 85% (no condensation) Supplied accessories Supplied accessories EN-EL15 rechargeable Li-ion battery with terminal cover, MH-25 battery charger (AC wall adapter supplied only in countries or regions where required), Strap (AN-DC6 for D800, AN-DC6E for D800E), UC-E14 USB cable, USB cable clip, BF-1B body cap, BS-1 accessory shoe cover, BM-12 monitor cover, ViewNX 2 installer CD (less)

3 megapixels and the EXPEED3 image-processing engine, the D800 is your ideal professional camera. Designed for versatility and high performance, this D-SLR is equipped to handle massive amounts of data with ultra-fast speed.

D800 also offers superior image quality and supports ISO sensitivities from 50 to 25600. In addition, videos can be filmed in FX- and DX-based movie formats, creating true cinematic experiences.

For those who are seeking extraordinary details in their images, the D800E was specially built to create the sharpest shots by disabling the aliasing and moir pattern reduction operation performed by the optical low-pass filter. Newly developed Nikon FX-format CMOS sensor with 36.

3 effective megapixels The D800/D800E employ a Nikon FX-format CMOS sensor (35.9 x 24.

0 mm) with 36.3 effective megapixels, the world's highest number*.

It renders texture, nuances and details equivalent to those a high-end medium format camera can deliver. Advanced Scene Recognition System with enhanced accuracy realized by 91K-pixel RGB sensor Advanced Scene Recognition System realizes face detection during optical viewfinder shooting.

It achieves highly accurate control of auto functions such as AF, AE and AWB utilizing face detection information and detailed scene analysis information. Multi-area mode Full HD D-Movie that enables a variety of expressions in two formats It is possible to record 1,920 x 1,080/30p Full HD and HD movies in either of two formats that are FX- and DX-based.

You can select the format according to your creative intentions. Wide sensitivity range of ISO 100 to 6400, expandable to Lo 1 (ISO 50 equivalent) or Hi 2 (ISO 25600 equivalent).

Further improved high-speed, multifunctional, high-performance image-processing engine EXPEED 3. 51-point AF system with enhanced performance in subject acquisition and focusing in low-light situations.

Glass pentaprism viewfinder with approx. 100% frame coverage (FX format) and approx.

0.7x magnification.

Approx. 921k-dot, wide-viewing angle, 8-cm (3.

2-in.) LCD monitor with reinforced glass and automatic monitor brightness control.

Newly developed shutter unit tested for over 200,000 cycles; shutter speed up to 1/8,000 s and flash synchronization up to 1/250 s. Continuous shooting at approx.

4 fps* (FX, 5:4) and approx. 5 fps* (1.

2x, DX). *With EN-EL15 Rechargeable Li-ion Battery.

MB-D12 Multi-Power Battery Pack (optional) that enables high-speed continuous shooting at approx. 6 fps* in DX format.

*When using batteries other than EN-EL15 Recharge The D800E is a unique alternative that realizes the sharpest images possible. [NEW] Nikon FX-format CMOS sensor with 36.

3 effective megapixels The D800/D800E render levels of texture, nuance and detail to your photography that, until now, have been the exclusive domain of the complicated medium-format system. Define every eyelash, every line in tree bark, and every shimmer of light.

Savor the exceptional depth in your still images — with the astounding 36.3 effective megapixels, the world's highest*, you can.

Enlarge them as big as A1 poster-sized prints (59.4 x 84.

1 cm/23.4 x 33.

1 in.) at 200 dpi, or crop aggressively to reach the composition you desire, all without sacrificing the detail and tonal range of the original.

In order to maintain clean, high-resolution images, 14-bit A/D conversion within the sensor and a high signal-to-noise ratio deliver phenomenal images in a diverse array of situations. The image sensor's incredible potential does not stop with photography, either.

For cinematographers ready to put their exceptionally sharp NIKKOR lenses into action, the D800/D800E's 36.3 effective megapixel data is efficiently processed for exquiste 1080p broadcast quality video at 30p.

*As of February 7, 2012, among interchangeable lens digital SLR cameras employing an image sensor of 35mm film size. Standard ISO 100 to ISO 6400, range expandable to ISO 50 to 25600 equivalent High-resolution, studio-quality images shouldn't be restricted to the studio.

The D800/D800E set a new benchmark for high-resolution D-SLR cameras, with crisp clean images across a wide ISO range. Flexibility like this opens up new imaging opportunities for both still photographers and cinematographers alike during the "magic hour", the time just before dawn or at dusk when available light is often beautiful but scarce.

Even at high ISO settings, the camera's intelligent noise reduction systems manage noise without sacrificing fine details, giving the D800/D800E the edge. The difference can even be seen in low-contrast subjects such as hair and grass textures, which are often essential elements of cinema as well as high-resolution portraits and landscape images.

High image quality at higher ISOs also means that you can shoot still images handheld more confidently, knowing that fast shutter speeds will reduce blur. A strategic approach to turn light to your advantage Combining both high-resolution performance and a wide ISO sensitivity range has finally become a reality.

Nikon engineers have developed intelligent new methods to manipulate light transmission to the sensor's photodiodes: from the optical low-pass filter and on-chip gapless micro lenses to the image sensor's internal design, every measure has been taken to maximize and improve light transmission in order to deliver crisp, brilliant images with significantly less noise. All this is possible under a wide variety of lighting conditions, enabling you to get the most out of your NIKKOR lenses.

Optical low-pass filter optimized for sharpness on the D800 Reducing false color and moir is the main job of the optical low-pass filter located in front of the image sensor. However, this benefit is generally gained with a small sacrifice of sharpness.

Moir occurs in scenes containing repetitive details, such as strong vertical lines in architecture. Finding the right balance between benefits and sacrifices is the key to higher image quality, and that is what the D800's optical low-pass filter delivers.

As a result, the astounding 36.3 megapixels unleash their potential through an optimized balance between sharpness and effectively prevented moir and false color.

Furthermore, the multi-layer structure of the D800 low-pass filter utilizes layers of antireflective coating that have been optimized for the camera, contributing to sharper and clearer images. The ultimate attention to detail — the D800E Nikon engineers have developed a unique alternative for those seeking the ultimate in definition.

The D800E incorporates an optical filter with all the anti-aliasing properties removed in order to facilitate the sharpest images possible. This is an ideal tool for photographers who can control light, distance and their subjects to the degree where they can mitigate the occurrence of moir.

Aside from the optical filter, all functions and features are the same as on the D800. Note: The D800E carries an increased possibility that moir and false color will appear, compared to the D800.

IR cut and antireflective coating properties of the optical filter remain the same with both versions. Comparison of resolution: D800/D800E have the same resolution of 36.

3 megapixels The D800E reproduces the texture of the stone pavement and twigs with higher resolution than the D800. It allows sharper rendering with depth.

Comparison of false color and moir With the D800E, moir and false color may be noticeable when there are repetitive and fine patterns on a subject such as kimono fabric. To avoid this, it is necessary to take measures, for example, changing the focusing point or shooting distance.

Nikon Integrated Dust Reduction System that includes an Image Sensor Cleaning function Any dust that reaches the image sensor results in unattractive spots on your images. To prevent this, the D800/D800E employ Nikon's Integrated Dust Reduction System, which includes a self-cleaning sensor unit with four different resonance frequencies to vibrate the optical low-pass filter and shake dust away from the sensor.

This function can be set to operate automatically when the camera is turned on or off, or to manual. EXPEED 3 image-processing engine: speed, versatility, and high performance High-megapixel still images are detail-rich but data-heavy.

With the D800/D800E, however, you don't have to sacrifice speed for this privilege. Dedicated to understanding speed and its role in image making, Nikon engineers designed a powerful EXPEED 3 image-processing engine exclusively for digital SLRs.

From image processing and card recording to image playback and image transfer, EXPEED 3 manages massive amounts of data at faster speeds than EXPEED 2. Even with specialized processing features like Active D-Lighting and high ISO noise reduction, capture speed is not affected.

EXPEED 3 is so powerful that it handles data-intensive tasks such as Full HD video recording at 30p with ease. You'll also notice the difference in your still images and videos through minimized noise and even richer colors and tones.

In addition to these fundamental advantages, the D800/D800E reduce the kind of color phase shift that some cameras have difficulty with in similar situations. 14-bit A/D conversion and 16-bit image processing for rich tones and natural colors Tonal gradation is where an image transforms from simply representing life to taking on a life of its own.

The D800/D800E do exactly that, with cutting-edge image processing that injects vital energy into your images. Black is rendered as pitch black, and shadow details are subtle and rich.

Even under harsh, high-contrast light, where some cameras can fail, the D800/D800E's gradation remains smooth with abundant detail and tone all the way up the scale to pure white. Lateral chromatic aberration reduction: Take full advantage of your NIKKOR lens collection High-megapixel sensors can really test the quality of your lenses, but you can be confident that the combination of brilliant NIKKOR lenses and Nikon's intelligent processing measures will significantly reduce lateral chromatic aberration to give you incredibly natural-looking results.

Unlike other correction methods that simply eliminate chromatic aberration, Nikon's method compensates for these color differences in a resolving index for each color, making it particularly effective in producing images with stunning edge-to-edge sharpness. Moreover, because these corrections are made regardless of the NIKKOR lens used, this feature contributes substantially to achieving the sharpest images possible.

Advanced Scene Recognition System with 91K-pixel RGB sensor Nikon's revolutionary Advanced Scene Recognition System, introduced with the flagship D4 camera, is also employed in the D800/D800E. At its core is a 91K-pixel RGB sensor that meticulously analyzes each scene with the fine resolution.

The RGB sensor can recognize your scene's colors and brightness with unprecedented precision, then use that information to implement various automatic controls and give you more natural-looking results. The real breakthrough, however, is that the sensor can detect human faces with startling accuracy when shooting through the optical viewfinder.

Along with face detection, detailed scene analysis is utilized to support more accurate autofocus, auto exposure and i-TTL flash exposure results in a diverse range of compositional and lighting situations. The improved subject tracking is most noticeable when using 3D-tracking, which can maintain a focus on moving subjects smaller in size than with previous generations.

More accurate face detection in auto-area AF and subject tracking in 3D-tracking Auto-area AF and 3D-tracking are AF-area modes unique to Nikon that use your subject's color and brightness information to detect focus. With the D800/D800E and their more precise information and subject recognition advancements, expect big steps forward for both AF-area modes when taking high-quality still images.

In auto-area AF, the camera can genuinely detect human faces and focuses on them immediately — useful when faces are a priority and there's no time to choose focus points. When using 3D-tracking, the sensor's fine resolution combines with a specifically optimized AF algorithm to realize unprecedented subject tracking precision, recognizing detailed patterns to keep your subject in sharp focus.

3D color matrix metering III for more accurate exposures Professional photographers who shoot still images know that Nikon's metering system delivers supremely well-balanced exposures. Thanks to the 91K-pixel RGB sensor, the D800/D800E have far more detailed scene information at its disposal — including detected face information.

This data helps the 3D color matrix metering III deliver more desirable auto exposures, especially when there are human faces present. When the D800/D800E detect a human face in a backlit situation, the camera determines the overall exposure while prioritizing the facial exposure, which might otherwise be underexposed.

When a face is lit from the front and appears much brighter than the background, the camera recognizes the situation and avoids blowing out the facial details. More balanced results in i-TTL balanced fill-flash and Active D-Lighting Nikon's i-TTL system has long been considered the most accurate flash control system in photography, but now face detection and highlight analysis by the 91K-pixel RGB sensor pushes performance even further.

With the D800/D800E's enhanced i-TTL balanced fill-flash, you can more precisely illuminate people's faces in relation to their surrounding brightness using either the built-in flash or an external hot-shoed Nikon Speedlight. For weddings and fashion shoots, or any photography that relies on the highest-quality still images, this new standard redefines what a flash system should be.

Face detection also makes a difference when Active D-Lighting is used to retain highlights and shadows in high-contrast lighting situations. Faces will be optimally exposed both in the sun and in the shade.

Light source identification for auto white balance in still images The D800/D800E's auto white balance is incredibly accurate in a diverse range of shooting situations, aided by unique Nikon technology that effectively identifies your light sources, both natural and artificial. With the 91K-pixel RGB sensor and the image sensor working together, the camera renders white as white with supreme accuracy.

Or if you prefer, the auto white balance can be set to reflect the warmth of ambient, incandescent lighting. Contribution to D-Movie shooting The D800/D800E's Advanced Scene Recognition System enhances not only still image shooting but also various controls used in movie shooting.

It identifies light sources and human faces finely, utilizing the high resolution of the image sensor to deliver accurate auto white balance and exposure control during movie shooting, and improves the precision of subject-tracking AF. Furthermore, it automatically detects flicker effects, and controls the exposure to reduce them.

Direct access to Picture Control that enables quick setting Customize the look of your stills and videos through Picture Controls by fine-tuning parameters such as sharpening, saturation, and hue. The D800/D800E now allow you to access Picture Control instantly and directly from a dedicated button rather than entering the menu.

When live view shooting, you can visually confirm how customized Picture Control settings will look and easily adjust the parameters. Specification Type Single-lens reflex digital camera Lens mount Nikon F mount (with AF coupling and AF contacts) Effective pixels Effective pixels 36.

3 million Image sensor Image sensor 35.9 x 24.

0 mm CMOS sensor (Nikon FX format) Total pixels 36.8 million Dust-reduction System Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software) Storage Image size (pixels) FX (36 x 24) image area: 7,360 x 4,912 (L), 5,520 x 3,680 (M), 3,680 x 2,456 (S)1.

2x (30 x 20) image area: 6,144 x 4,080 (L), 4,608 x 3,056 (M), 3,072 x 2,040 (S)DX (24 x 16) image area: 4,800 x 3,200 (L), 3,600 x 2,400 (M), 2,400 x 1,600 (S)5 : 4 (30 x 24) image area: 6,144 x 4,912 (L), 4,608 x 3,680 (M), 3,072 x 2,456 (S)FX-format photographs taken in movie live view: 6,720 x 3,776 (L), 5,040 x 2,832 (M), 3,360 x 1,888 (S)DX-format photographs in movie live view: 4,800 x 2,704 (L), 3,600 x 2,024 (M), 2,400 x 1,352 (S)Note: Photographs taken in movie live view have an aspect ratio of 16 : 9. A DX-based format is used for photographs taken using the DX (24 x 16) 1.

5x image area; an FX-based format is used for all other photographs. File format NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx.

1 : 4), normal (approx. 1 : 8), or basic (approx.

1 : 16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats Picture Control System Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls Media SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards; Type I CompactFlash memory cards (UDMA compliant) Dual card slots Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards. File system DCF (Design Rule for Camera File System) 2.

0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge Viewfinder Viewfinder Eye-level pentaprism single-lens reflex viewfinder Frame coverage FX (36 x 24): Approx.

100% horizontal and 100% vertical 1.2x (30 x 20): Approx.

97% horizontal and 97% vertical DX (24 x 16): Approx. 97% horizontal and 97% vertical 5:4 (30 x 24): Approx.

97% horizontal and 100% vertical Magnification Approx. 0.

7 x (50 mm f/1.4 lens at infinity, -1.

0 m-1) Eyepoint 17 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) Diopter adjustment -3 -+1 m-1 Focusing screen Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid Reflex mirror Quick return Depth-of-field preview When depth-of-field preview button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes) Lens aperture Instant return, electronically controlled Lens Compatible lenses Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC Micro-NIKKOR lenses) and DX lenses (using DX 24 x 16 1.

5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used.

The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster.

Shutter Type Electronically-controlled vertical-travel focal-plane shutter Speed 1/8000 - 30 s in steps of 1/3, 1/2, or 1 EV, bulb, X250 Flash sync speed X=1/250 s; synchronizes with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s) Release Release mode Single frame, Continuous low speed, Continuous high speed, Quiet shutter-release, Self-timer, Mirror up Approximate frame advance rate With EN-EL15 batteries - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: DX/1.2x; CL: 1-5 fps, CH: 5 fpsOther power sources - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: 1.

2x; CL: 1-5 fps, CH: 5 fps - Image area: DX; CL: 1-5 fps, CH: 6 fps Self-timer 2 s, 5 s, 10 s, 20 s; 1-9 exposures at intervals of 0.5, 1, 2, or 3 s Exposure Metering TTL exposure metering using 91K (91,000)-pixel RGB sensor Metering method Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12 mm circle in center of frame.

Diameter of circle can be changed to 8, 15, or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame) Spot: Meters 4 mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used) Range (ISO 100, f/1.

4 lens, 20 C/68 F) Matrix or center-weighted metering: 0-20 EV Spot metering: 2-20 EV Exposure meter coupling Combined CPU and AI Exposure mode Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) Exposure compensation -5 -+5 EV in increments of 1/3, 1/2, or 1 EV Exposure bracketing 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV Flash bracketing 2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV White balance bracketing 2-9 frames in steps of 1, 2, or 3 ADL bracketing 2 frames using selected value for one frame or 3-5 frames using preset values for all frames Exposure lock Luminosity locked at detected value with AE-L/AF-L button ISO sensitivity (Recommended Exposure Index) ISO 100 - 6400 in steps of 1/3, 1/2, or 1 EV. Can also be set to approx.

0.3, 0.

5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx.

0.3, 0.

5, 0.7, 1, or 2 EV (ISO 25600 equivalent) above ISO 6400; auto ISO sensitivity control available Active D-Lighting Can be selected from Auto, Extra high, High, Normal, Low, or Off Focus Autofocus Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors), and AF-assist illuminator (range approx.

0.5-3 m/1 ft 8 in.

-9 ft 10 in.) Detection range -2 -+19 EV (ISO 100, 20 C/68 F) Lens servo Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); predictive focus tracking automatically activated according to subject status Manual focus (M): Electronic rangefinder can be used Focus point Can be selected from 51 or 11 focus points AF-area mode Single-point AF, 9-, 21-, or 51- point dynamic-area AF, 3D-tracking, auto-area AF Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button Flash Built-in flash Manual pop-up with button release and a Guide Number of 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 C/68 F) Flash control TTL: i-TTL flash control using 91K (91,000)-pixel RGB sensor is available with built-in flash and SB-910, SB-900, SB-800, SB-700, SB-600, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering Flash mode Front curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; Auto FP High-Speed Sync supported Flash compensation -3 -+1 EV in increments of 1/3, 1/2, or 1 EV Flash-ready indicator Lights when built-in flash or optional flash unit is fully charged; blinks for 3 s after flash is fired at full output Accessory shoe ISO 518 hot-shoe with sync and data contacts and safety lock Nikon Creative Lighting System (CLS) Advanced Wireless Lighting supported with built-in flash, SB-910, SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; built-in flash can serve as master flash in commander mode; Auto FP High-Speed Sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units Sync terminal ISO 519 sync terminal with locking thread White balance White balance Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2500 K-10000 K), all with fine-tuning.

Live View Modes Live view photography (still images), movie live view (movies) Lens servo Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F) Manual focus (M) AF-area mode Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF Autofocus Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) Movie Metering TTL exposure metering using main image sensor Frame size (pixels) and frame rate 1,920 x 1,080; 30 p (progressive), 25 p, 24 p1,280 x 720; 60 p, 50 p, 30 p, 25 pActual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p are 59.94, 50, 29.

97, 25, and 23.976 fps respectively; options support both high and normal image quality File format MOV Video compression H.

264/MPEG-4 Advanced Video Coding Audio recording format Linear PCM Audio recording device Built-in monaural or external stereo microphone; sensitivity adjustable Movie options Index marking, time-lapse photography Monitor Monitor 8-cm/3.2-in.

, approx. 921k-dot (VGA) TFT LCD with 170 viewing angle, approx.

100% frame coverage, and automatic monitor brightness control using ambient brightness sensor Playback Playback Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, highlights, histogram display, auto image rotation, and image comment (up to 36 characters) Interface USB SuperSpeed USB (USB 3.0 Micro-B connector) HDMI output Type C mini-pin HDMI connector; can be used simultaneously with camera monitor Audio input Stereo mini-pin jack (3.

5mm diameter) Audio output Stereo mini-pin jack (3.5mm diameter) Ten-pin remote terminal Can be used to connect optional remote control, GP-1 GPS unit, or GPS device compliant with NMEA0183 version 2.

01 or 3.01 (requires optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector) Supported languages Supported languages Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian Power source Battery One rechargeable Li-ion EN-EL15 battery Battery pack Optional MB-D12 multi-power battery pack with one rechargeable Nikon EN-EL15 Li-ion battery or eight AA alkaline, Ni-MH, or lithium batteries.

AC adapter EH-5b AC adapter; requires EP-5B power connector (available separately) Tripod socket Tripod socket 1/4 in. (ISO 1222) Dimensions/weight Dimensions (W x H x D) Approx.

146 x 123 x 81.5 mm (5.

7 x 4.8 x 3.

2 in.) Weight Approx.

1,000 g (2 lb 3.3 oz) with battery and SD memory card but without body cap; approx.

900 g/1 lb 15.7 oz (camera body only) Operating environment Temperature 0-40 C (+32-104 F) Humidity Less than 85% (no condensation) Supplied accessories Supplied accessories EN-EL15 rechargeable Li-ion battery with terminal cover, MH-25 battery charger (AC wall adapter supplied only in countries or regions where required), Strap (AN-DC6 for D800, AN-DC6E for D800E), UC-E14 USB cable, USB cable clip, BF-1B body cap, BS-1 accessory shoe cover, BM-12 monitor cover, ViewNX 2 installer CD (less)

3 seconds Shutter Type Electronically-controlled, vertical-traverse, focal-plane shutter Speed Range 1/8000 sec. - 30 sec.

, bulb Flash Sync Speed 1/250 sec Viewfinder Type Electronic viewfinder (color) Field of View 1 Magnification 1.09x (with 50mm lens at infinity) Eye Relief Approx.

27mm from the eyepiece lens, 22mm from the eyepiece frame (CIPA Standard) Diopter Control -4.0 to +3.

0m Shooting ExposureBracketing 3/5 continuous exposures selectable, in 0.3/0.

5/0.7/2.

0*/3.0* increment.

*limited to 3 frames White Balance Bracketing 3 frames, H/L selectable Continuous Shooting Rate Up to 12 fps in Tele-zoom Continuous Advance Priority AE mode, Up to 8 fps in Continuous mode Continuous Shooting Limit Extra Fine: 13 frames, Fine: 18 frames, Standard: 18 frames, RAW: 13 frames, RAW+JPEG: 11 frames (Fine: 17 frames, Standard: 17 frames on Tele-zoom Continuous Advance Priority AE mode) Self-Timer 10 sec., 2 sec.

Others Printing Output Control Exif Print, Print Image Matching III, DPOF setting Power Battery Rechargeable battery pack NP-FM500H External Power Source AC adaptor - AC-PW10AM (optional) Battery Performance Approx. 470 shots(EVF) / Approx.

530 shots(LCD) (CIPA measurement) Connectivity PC Interface USB2.0 Hi-Speed (mass storage mode / MTP mode) HDMIOut HDMImini connector Sync.

Terminal Yes Size Dimensions (W x H x D) Approx. 142.

6 x 104.0 x 80.

9mm (excl. protrusions) Weight Approx.

653g (not including battery, memory card or accessories) Operating Temperature Range 0 - 40 C (less)

Powered by Canon's state-of-the-art DIGIC 5+ image processor, the EOS 5D MARK III is capable of incredible ISO speeds of up to 25600 (expandable to 102400). A newly expanded 61-point Auto-Focus (AF) system makes it easier to track subjects with higher levels of precision and speeds.

22.3-megapixel sensor High resolution 22.

3-megapixel images of superb quality and detail are attained from Canon's cutting-edge full-frame CMOS sensor technology. New photodiode construction, gapless microlens array and on-chip noise reduction circuitry on the CMOS keep image data clean and clear even at high ISO settings and long exposures, so your photographic vision is never compromised.

61-point high-density reticular AF The EOS 5D Mark III features a next-generation Auto Focus (AF) system sporting 61 point high-density reticular AF (41 cross-type points) that offers wide, auto focus coverage at high precision as well as enhanced subject tracking capability. It offers multi-zone wide-area AF for better tracking, has 5 central dual cross-type points (f/2.

8 diagonal), 21 central cross-type points (f/5.6 horizontal & vertical) and 20 outer cross-type points (f/4.

0 horizontal) and is sensitive in extremely low-light situations (EV-2 for a central point with a f/2.8 lens).

The technological advancement in the EOS 5D Mark III dramatically expands focusing accuracy to support a larger range of f/4.0 and f/5.

6 lenses. ISO expandable to 102400 No matter your exposure requirements, the EOS 5D Mark III allows flexible ISO speed settings of ISO 100 – 25600 and expandable to L: ISO50, H1: 51200 and H2: 102400 to adjust the camera's sensitivity to light.

From low light indoor environments to the great outdoors in broad daylight, the EOS 5D Mark III captures every picture in the best possible light. Specification Type Type Digital, single-lens reflex, AF / AE camera Recording Media CF card (Type I, UDMA mode 7-compatible), SD memory card, SDHC memory card, SDXC memory card Image sensor size Approx.

36 x 24mm Compatible Lenses Canon EF lenses (except EF-S lenses) (35 mm-equivalent lens focal length will be as indicated on the lens) Lens Mount Canon EF mount Image Sensor Type CMOS sensor Effective Pixels Approx. 22.

30 megapixels Aspect Ratio 3:02 Dust Delete Feature Auto, Manual, Dust Delete Data appending Recording System Recording Format Design rule for Camera File System 2.0 Image Type JPEG, RAW (14-bit Canon original), RAW + JPEG simultaneous recording enabled Recording Pixels L (Large): Approx.

22.10 megapixels (5760 x 3840) M (Medium): Approx.

9.80 megapixels (3840 x 2560) S1 (Small 1): Approx.

5.50 megapixels (2880 x 1920) S2 (Small 2): Approx.

2.50 megapixels (1920 x 1280) S3 (Small 3): Approx.

350,000 pixels (720 x 480) RAW: Approx. 22.

10 megapixels (5760 x 3840) M-RAW: Approx. 10.

50 megapixels (3960 x 2640) S-RAW: Approx. 5.

50 megapixels (2880 x 1920) Recording function Standard, Auto switch card, Rec. separately, Rec.

to multiple Create / Select a Folder Possible File name Preset code, User setting 1, User setting 2 File numbering Continuous, auto reset, manual reset Image Processing During Shooting Picture Style Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Def. 1 - 3 White Balance Auto, Preset (Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash), Custom, Colour temperature setting (Approx.

2500 - 10000K), White balance correction, and White balance bracketing possible * Flash colour temperature information transmission enabled Noise Reduction Applicable to long exposures and high ISO speed shots Automatic Image Brightness Correction Auto Lighting Optimizer Highlight Tone Priority Provided Lens Peripheral Illumination Correction Peripheral illumination correction, Chromatic aberration correction Viewfinder Type Eye-level pentaprism Coverage Vertical / Horizontal Approx. 100% (with Eye point Approx.

21mm) Magnification Approx. 0.

71x (-1m-1with 50mm lens at infinity) Eyepoint Approx. 21mm (from eyepiece lens center at -1m-1) Build-in Dioptric adjustment Approx.

-3.0 - +1.

0m-1(dpt) Focusing Screen Fixed AF status indicator Provided Grid display Provided Electronic level Horizontal: 1 increments, 6 Vertical: 1 increments, 4 * During horizontal shooting Mirror Quick-return type Depth-of-field Preview Provided Autofocus Type TTL secondary image-registration, phase detection AF Points 61 points (Up to 41 cross-type points) * Number of available AF points and cross-type points vary depending on the lens. Focusing Brightness Range EV -2 - 18 (with center f/2.

8 AF point, 23C / 73F, ISO 100) Focusing Modes One-Shot AF, AI Servo AF, AI Focus AF, Manual focusing (MF) AF Area Selection Modes Single-point Spot AF (manual selection), Single-point AF (manual selection), AF point expansion (manual selection; up, down, left, and right), AF point expansion (manual selection; surround), Zone AF (manual selection), Auto selection of 61 AF points AF Configuration Tool Case 1 - 6 AI Servo Characteristics Tracking sensitivity, Acceleration / deceleration tracking, AF point auto switching AF Fine Adjustment AF Microadjustment (All lenses by same amount or Adjust by lens) AF-assist Beam Emitted by the EOS-dedicated external Speedlite Exposure Control Metering Modes 63-zone TTL full-aperture metering • Evaluative metering (linked to all AF points) • Partial metering (Approx. 6.

2% of viewfinder at center) • Spot metering (Approx. 1.

5% of viewfinder at center) • Center-weighted average metering Metering Range EV 1 - 20 (at 23C / 73F with EF50mm f/1.4 USM lens, ISO 100) Exposure Control Program AE (Scene Intelligent Auto, Program), Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb exposure ISO Speed (Recommended exposure index) Scene Intelligent Auto: ISO 100 - 12800 set automatically P, Tv, Av, M, B: Auto ISO, ISO 100 - 25600 (in 1/3- or whole-stop increments), or ISO expansion to L (50), H1 (equivalent to ISO 51200), H2 (equivalent to ISO 102400) ISO Speed Settings ISO speed range, Auto ISO range, and Auto ISO minimum shutter speed settable Exposure Compensation Manual: 5 stops in 1/3- or 1/2-stop increments AEB: 3 stops in 1/3- or 1/2-stop increments (Can be combined with manual exposure compensation) AE Lock Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved Manual: By AE lock button HDR Shooting Dynamic Range Adjustment Auto, 1 EV, 2 EV, 3 EV Effect Natural, Art standard, Art vivid, Art bold, Art embossed Auto Image Align Possible Multiple Exposures Shooting Method Function / control priority, Continuous shooting priority No.

of Multiple Exposures 2 to 9 exposures Multiple-Exposure Control Additive, Average, Bright, Dark Shutter Type Electronically-controlled, focal-plane shutter Shutter Speeds 1/8000sec. to 1/60sec.

(Scene Intelligent Auto mode), X-sync at 1/200sec. * With a wide-angle lens, the shutter speed may be 1/60sec.

or slower. 1/8000sec.

to 30secs., bulb (Total shutter speed range.

Available range varies by shooting mode.) Drive System Drive Modes Single shooting, High-speed continuous shooting, Low-speed continuous shooting, Silent single shooting, Silent continuous shooting, 10secs.

self-timer / remote control, 2secs. self-timer / remote control Continuous Shooting Speed High-speed continuous shooting: Max.

Approx. 6 shots/sec.

Low-speed continuous shooting: Max. Approx.

3 shots/sec. Silent continuous shooting: Max.

Approx. 3 shots/sec.

Max. Burst JPEG Large / Fine: Approx.

65 shots (Approx. 16270 shots) RAW: Approx.

13 shots (Approx. 18 shots) RAW + JPEG Large / Fine: Approx.

7 shots (Approx. 7 shots) * Figures are based on Canon's testing standards (ISO 100 and Standard Picture Style) and a 8GB card.

* Figures in parentheses apply to an UDMA mode 7, 128GB card based on Canon's testing standards. External Speedlite Compatible Speedlites EX-series Speedlites Flash Metering E-TTL II autoflash Flash Exposure Compensation 3 stops in 1/3- or 1/2-stop increments FE Lock Provided PC Terminal Provided External Speedlite control Provided * Compatible with radio wireless flash photography.

Live View Shooting Shooting Modes 3:2, 4:3, 16:9, 1:1 Focusing Modes Live mode, Face detection Live mode (contrast detection), Quick mode (phase-difference detection), Manual focusing (Approx. 5x / 10x magnification possible) Focusing brightness range EV 1 - 18 (with contrast detection, at 23C / 73F, ISO 100) Metering Modes Evaluative metering with the image sensor Metering Range EV 0 - 20 (at 23C / 73F with EF50mm f/1.

4 USM lens, ISO 100) Silent Shooting Provided (Mode 1 and 2) Three Types Three types Movie Shooting Movie Recording Compression MPEG-4 AVC / H.264 Variable (average) bit rate Audio Recording Format Linear PCM Recording Format MOV Recording Size And Frame Rate 1920 x 1080 (Full HD): 30p / 25p / 24p 1280 x 720 (HD): 60p / 50p 640 x 480 (SD): 30p / 25p * 30p: 29.

97fps, 25p: 25.00fps, 24p: 23.

976fps, 60p: 59.94fps, 50p: 50.

00fps Compression Method ALL-I (I-only), IPB File size 1920 x 1080 Approx. 235MB/min.

(30p / 25p / 24p) / IPB: 1920 x 1080 Approx. 685MB/min.

(30p / 25p / 24p) / ALL-I : 1280 x 720 Approx. 205MB/min.

(60p / 50p) / IPB: 1280 x 720 Approx. 610MB/min.

(60p / 50p) / ALL-I: 640 x 480 Approx. 78MB/min.

(30p / 25p) / IPB: * Card reading / writing speed necessary for movie shooting: CF card: IPB: at least 10MB per sec. / ALL-I: at least 30MB per sec.

SD card: IPB: at least 6MB per sec. / ALL-I: at least 20MB per sec.

Focus Modes Same as focusing with Live View shooting Metering Modes Center-weighted average and Evaluative metering with the image sensor * Automatically set by the focusing mode. Metering Range EV 0 - 20 (at 23C / 73F with EF50mm f/1.

4 USM lens, ISO 100) Exposure Control 1. Autoexposure, 2.

Shutter-priority AE, 3. Aperture-priority AE, 4.

Manual exposure * With 1, 2, and 3, exposure compensation and AE lock are possible (except in Scene Intelligent Auto mode). Exposure compensation 3 stops in 1/3-stop increments (5 stops for still photos) ISO speed Scene Intelligent Auto and Tv: Automatically set within ISO 100 - 12800 (Recommended exposure index) P, Av, and B: Automatically set within ISO 100 – 12800 expandable to H (equivalent to ISO 25600) M: Auto ISO (automatically set within ISO 100 - 12800), ISO 100 - 12800 set manually (in 1/3- or whole-stop increments), expandable to H (equivalent to ISO 16000 / 20000 / 25600) Time Code Supported Drop Frames Compatible with 60p / 30p Sound Recording Built-in monaural microphone, external stereo microphone terminal provided Sound recording level adjustable, wind filter provided Headphones Headphone terminal provided Grid Display Three types Still Photos Possible LCD Monitor Type TFT colour, liquid-crystal monitor Monitor Size and Dots Wide, 8.

1 cm (3.2-in.

) (3:2) with Approx. 1.

04 million dots Brightness Adjustment Auto (Dark, Standard, Bright), Manual (7 levels) Electronic Level Horizontal: 1 increments, 6 Vertical: 1 increments, 4 Interface Languages 25 Feature Guide Displayable Playback Image Display Formats Single image display, Single image + Info display (Basic info, shooting info, histogram), 4-image index, 9-image index, 2-image display Highlight Alert Overexposed highlights blink AF Point Display Possible Grid Display Three types Zoom Magnification Approx. 1.

5x - 10x, starting magnification and position settable Image Browsing Methods Single image, jump by 10 or 100 images, by shooting date, by folder, by movies, by stills, by rating Image Rotate Possible Ratings Provided Movie Playback Enabled (LCD monitor, video / audio OUT, HDMI OUT), built-in speaker Slide Show All images, by date, by folder, movies, stills, or by rating Image protect: Possible Copying images Possible Post-Processing of Images In-camera RAW Image Processing Brightness correction, White balance, Picture Style, Auto Lighting Optimizer, High ISO speed noise reduction, JPEG image-recording quality, Colour space, Peripheral illumination correction, Distortion correction, and Chromatic aberration correction Resize Possible Direct Printing Compatible Printers PictBridge-compatible printers Printable Images JPEG and RAW images Print Ordering DPOF Version 1.1 compatible Image Transfer Transferrable Images Still photos (JPEG, RAW, RAW + JPEG images), Movies Custom Functions Custom Functions 13 My Menu Registration Possible Custom Shooting Modes Register under Mode Dial's C1 / C2 / C3 Copyright Information Entry and inclusion enabled Interface Audio / Video OUT/ Digital Terminal Analog video (Compatible with NTSC / PAL) / stereo audio output Personal computer communication, Direct printing (Hi-Speed USB or equivalent), Wireless File Transmitter WFT-E7, GPS Receiver GP-E2 connection HDMI mini OUT terminal Type C (Auto switching of resolution), CEC-compatible External Microphone IN Terminal 3.

5mm stereo mini-jack Headphone terminal 3.5mm stereo mini-jack Remote Control Terminal Compatible with N3-type remote controller Wireless Remote Control Remote Controller RC-6 Eye-Fi card Compatible Power Battery Battery Pack LP-E6 (Quantity 1) * AC power can be supplied via AC Adapter Kit ACK-E6.

* With Battery Grip BG-E11 attached, size-AA/LR6 batteries can be used. Battery Information Remaining capacity, Shutter count, Recharge performance, and Battery registration possible Battery Life (Based on CIPA testing standards) With viewfinder shooting: Approx.

950 shots at 23C / 73F, Approx. 850 shots at 0C / 32F With Live View shooting: Approx.

200 shots at 23C / 73F, Approx. 180 shots at 0C / 32F Movie Shooting Ttime Approx.

1hr. 30mins.

at 23C / 73F Approx. 1hr.

20mins. at 0C / 32F (with fully-charged Battery Pack LP-E6) Date / Time Battery CR1616 lithium battery (Quantity 1) Dimensions and Weight Dimensions (W x H x D) Approx.

152.0 x 116.

4 x 76.4mm / 6.

0 x 4.6 x 3.

0in. Weight Approx.

950g / 33.5oz.

(CIPA Guidelines), Approx. 860g / 30.

3oz. (Body only) Operating Environment Working Temperature Range 0C - 40C / 32F - 104F Working Humidity 85% or less Battery Pack LP-E6 Type Rechargeable lithium-ion battery Rated Voltage 7.

2 V DC Battery Capacity 1800 mAh Dimensions (W x H x D) Approx. 38.

4 x 21.0 x 56.

8mm / 1.5 x 0.

8 x 2.2in.

Weight Approx. 80g / 2.

8oz. Battery Charger LC-E6 Compatible Battery Battery Pack LP-E6 Recharging Time Approx.

2hrs. 30mins.

Rated Input 100 - 240 V AC (50 / 60 Hz) Rated Output 8.4 V DC / 1.

2 A Working Temperature Range 5C - 40C / 41F - 104F Working Humidity 85% or less Dimensions (W x H x D) Approx. 69.

0 x 33.0 x 93.

0mm / 2.7 x 1.

3 x 3.7in.

Weight Approx. 130g / 4.

6oz. Battery Charger LC-E6E Compatible Battery Battery Pack LP-E6 Power cord length Approx.

1m / 3.3ft.

Recharging Time Approx. 2hrs.

30mins. Rated Input 100 - 240 V AC (50 / 60 Hz) Rated Output 8.

4 V DC / 1.2 A Working Temperature Range 5C - 40C / 41F - 104F Working Humidity 85% or less Dimensions (W x H x D) Approx.

69.0 x 33.

0 x 93.0mm / 2.

7 x 1.3 x 3.

7in. Weight Approx.

125g / 4.4oz.

(excluding power cord) EF24-105mm f/4L IS USM Angle of View Diagonal extent: 84 - 2320' Horizontal extent: 74 - 1920' Vertical extent: 53 - 13 Lens Construction 18 elements in 13 groups Minimum Aperture f/22 Closest Focusing Distance 0.45m / 1.

48ft. (from image sensor plane) Max.

Magnification 0.23x (at 105mm) Field of View 535 x 345 - 158 x 106mm / 21.

1 x 13.6 - 6.

2 x 4.2in.

(at 0.45m) Image Stabilizer Lens shift type Filter Size 77mm Lens Cap E-77U Max.

Diameter x Length 83.5 x 107mm / 3.

3 x 4.2in.

Weight Approx. 670g / 23.

6oz. Hood EW-83H Case LP1219 (less)

0 devices Warranty 5 years Product dimensions Dolphin : 54 x 31 x 20mm Blister dimensions 172 x 122 x 33mm Packaging Keychain included (less)

0-5.6 is extremely light (190g).

Its wide zoom range is equivalent to 80-300mm on a 35mm camera, and its Micro Four Thirds System design offers outstanding portability that makes interchangeable lens photography easier. Also this lens offer quieter and more responsive AF performance, and offer SLR image quality for still-image and movie shooting.

When mounted on an OLYMPUS PEN camera, the lenses support the camera body's built-in image stabilization system and offer effective shake compensation at all focal lengths. Specification Focal Length 40-150mm (35mm equivalent focal length 80-300mm) Lens construction 13 Elements in 10 Groups, including ED lens & HR lens Angle of View 30 - 8.

2 Degree AF System High-speed Imager AF (MSC) Closest Focusing Distance 0.9m Maximum Image Magnification 0.

16x (35mm equivalent Maximum Image Magnification 0.32x) Minimum Field Size 78.

5 x 104.4mm Number of Blades 7 (Circular Aperture Diaphragm) Maximum Aperture F4.

0 (40mm) - F5.6 (150mm) Minimum Aperture F22 Filter Size Diameter 58mm Dimension Diameter 63.

5 x 83mm Weight 190g Box Contents Lens Cap (LC-58E), Lens Rear Cap (LR-2) , Instruction Manual, Olympus Worldwide Warranty Card Related accessoriess Protection Filter (PRF-D58 PRO), Lens Hood (LH-61D), Lens Case (LSC-0814) (less)

8 - 6.7 lens is a super telephoto zoom that boasts a focal length range equivalent to 150 - 600mm on a 35mm camera.

Previous lenses offering 35mm equivalent focal lengths of 600mm or more were invariably large, heavy, making it difficult for most users to enjoy the benefits of super telephoto shooting. The M.

ZUIKO DIGITAL ED 75 - 300mm F4.8 - 6.

7, however, takes advantage of the Micro Four Thirds System's high mobility to bring these benefits to a wide range of users. Also this lens offer quieter and more responsive AF performance, and offer SLR image quality for still-image and movie shooting.

When mounted on an OLYMPUS PEN camera, the lenses support the camera body's built-in image stabilization system and offer effective shake compensation at all focal lengths. Specification Focal Length 75-300mm (35mm equivalent focal length 150-600mm) Lens construction 18 Elements in 13 Groups, including Super ED Lens, 2 ED lenses and 3 HR lenses Angle of View 16 - 4.

1 Degree AF System High-speed Imager AF (MSC) Closest Focusing Distance 0.9m (at 75mm of focal length) / 1.

5m (except 75mm of focal length) Maximum Image Magnification 0.18x (35mm equivalent Maximum Image Magnification 0.

36x) Minimum Field Size 97 x 73mm Number of Blades 7 (Circular Aperture Diaphragm) Maximum Aperture F4.8 (75mm) - F6.

7 (300mm) Minimum Aperture F22 Filter Size Diameter 58mm Dimension Diameter 70 x 116mm Weight 430g Box Contents Lens Cap (LC-58E), Lens Rear Cap (LR-2) , Instruction Manual, Olympus Worldwide Warranty Card (less)

Despite its small size, it delivers sharp imaging performance throughout the image area and captures dramatic images in both indoor and outdoor shooting. The metallic outer finish with high-grade texture matches the superior quality finish of the PEN camera body.

The MSC (Movie & Still Compatible) mechanism which makes the Fast AF so fast and quiet assures high-quality, in-focus movies as well as still images. Specification Focal Length 12mm (35mm equivalent focal length 24mm) Lens Construction 11 Elements in 8 Groups, DSA lens, Aspherical lens, ED lens & Super HR lenses Angle of View 84 Degree AF System High-speed Imager AF (MSC) Closest Focusing Distance 0.

2m Maximum Image Magnification 0.08x (35mm equivalent Maximum Image Magnification 0.

16x) Minimum Field Size 162 x 216mm Number of Blades 7 (Circular Aperture Diaphragm) Maximum Aperture F2.0 Minimum Aperture F22 Filter Size Diameter 46mm Dimensions Diameter 56 x 43mm Weight 130g Box Contents Lens Cap(LC-46), Lens Rear Cap(LR-2), Instruction Manual, Olympus Worldwide Warranty Card (less)